This package includes the game Rome Total War, as well as the add-ons Barbarian Invasion and Alexander. Detailed installation instructions are provided below. Happy gaming! Instructions: These are the instructions for successfully installing Rome: Total War and its' add-ons Barbarian Invasion and Alexander. Please read them carefully! Its Working Fine for me. But there is something missing. FOLLOW THIS STEP INSTEAD: 1: Install Rome Total War disc 1,2 and 3 2: Update your RTW from v1.0 - v1.1 (Patch 1.1 Required) 3: Update your RTW from v1.1 - v1.2 (Patch 1.2 Required) 4: Update your RTW from v1.2 - v1.3 (Patch 1.3 Required) 5: Update your RTW from v1.3 - v1.5 (Patch 1.5 Required) 6: Install Barbarian Invasion Add-On (Same Directory as RTW) 7: Execute patch 1.6 for BI 8: Install Alexander Add-On (Same Directory as RTW) 9: Copy all the three Crack exe from the crack folder, and paste it on Rome - Total War Directory. Rome: Total War, free and safe download. Rome: Total War latest version: Lead the Roman army in massive battles. Rome: Total War is a high quality game of historical strategy and tactics. Lead your army to batt. Aug 28, 2013. You ABSOLUTELY need Alexander Total War!, if you do not have it, you wont be able to play!!!!. Install Patch 2.0 to your Rome Total War folder. MIRROR 1: Moddb.com. MIRROR 2: Strategyinformer.com. MIRROR 3: Files.filefront.com.Install Patch 3.0 (Current and possibly FINAL version) to the same. Jan 3, 2010..:++++++++++++++++++++++++++++++++++++++++++++++++++..:+++++++++++++++++Rome Total War+++++++++++++++++++..:++++++++++++++++++Version 1.5+++++++++++++++++++++..:++++++++++++++++++++++++++++++++++++++++++++++++++. Medieval.2.total.war reloaded download torrent tpb. Total war rome ii reloaded iso free download. Total war rome ii emperor edition incl all dlc repack. Download medieval 2 total war reloaded, play now medieval 2 total war reloaded. This image has been resized click this bar to view the full image the original image is sized. 10: Execute the game Via Shortcut on the Desktop, and Play the Game. Rome: Total War is a game in the Total War Series. Developed by the Creative Assembly. The Rome: Total War Series bring together elements of real time strategy and turn based game play. A compilation pack of Creative Assembly's powerful strategy game Rome: Total War and its expansion pack, Rome: Total War - Barbarian Invasion. These two highly popular war games that have captured the heart of strategy gamers everywhere can now be found in one complete package for even more fun. Mount / Burn 2. Install Rome Total War 3. Apply Patch v1.5 and then copy crack to main install dir. Install Barbarian Invasion expansion 5. Go to crack folder on CD 6. Run 1.6 Patch and Copy crack to main install dir. Enjoy ACCESS PASSWORD: 'theisozone'.
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Ancient Empires Reloaded is a fan-made arcade turn-based strategy game. In this game you can use many unique units and try to create some powerful combinations of them as well as develop your own battle strategies to defeat your enemies. * Features 1. Terrains with different effects to make the battle more interesting. Unique units with various abilities to choose from. A lot of exciting campaign stages to play. In-game map editor making it possible to create your own amazing maps. Download: 128x160| 176x208| 176x220| 240x320| 320x240. This cheats only work in Campaign mode. If you try these cheats in skirmish mode, it won't work. ¤Note:- When you type the cheats the cursor must move. *Up, right, down, left, up, right, down and left - 1000 Gold Coins *Up, left, down, right,. Statistical Techniques| Statistical Mechanics. Online map sharing center where you can share the maps you created with other players. Multiplayer mode allowing you to play with your friends. In-game wiki to help you learn about the game more easily. Known issues: 1. For some Android 2.2 systems that does not support OpenGL ES 2.0 the game won't start. For users using Android API level. Impossible, level the playing field or just give us cheat to earn extras Y all built a pretty good game but it's Impossible to get through campaign, Commander is pretty much a -1 no power upgrades and game over if he dies, too much power upgrades on catapult, Wolf and golem, densoldiers have no upgrades. Love what you did with the archer. But it's impossible from my end. If Temple of life is that impossible then what happens at heavens fury? Being playing all day still no way, I lose b4 I start thanks to too much power upgrades on those 3. I'm only giving 5 stars for encouragement. You guys have actually messed up the game, imbalanced it. The increased range of archer and catapult units are completely unnecessary as well as the golems' slowing ability and wolf archers, black mages, slime? 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If you are driving alone on the road already, don't you know the rules? If you drive properly, they can't just fail you. If you cut someone off, they can fail you. Just think about it. And don't read the above posts! Imagine you were driving 80 k/h and you merged onto the 401. Why would you make sure you are 20 below the limit to merge? Don't merge until you get to 100! That is the whole point of the lane is to get to 100 before you merge. Failing because you weren't familiar with the city's speed limits? Dude, are you familiar with street signs? You are supposed to be looking for street signs all the time, that's how you properly drive. Asking about the expectations (but be specific on what you want to know because they don't have all day) is a good idea. If it's at vic park and lawrence, then you are okay! I know 2 people who did G tests a month ago there, and said it was pretty easy. Download the free trial version below to get started. Double-click the downloaded file to install the software. Hello all, I have a G license test tomorrow on Victoria park and Lawrence and I was wondering if someone who took their test can give me few tips. If you are nervous about driving on the highway then all due respect you should not be driving as highway driving is the easiest city driving is a pain in the ass. Ontario Drive Test (Lawrence/ Victoria Park), Toronto. Posts about Ontario Drive Test. Driving written test passed!Thank you Lord. Would-be drivers shop for easy road tests. Drivers who test at some locations fail. Prohibited without the prior written consent of Toronto Star Newspapers. Written Exams for Driver's Licence. I did my g2 test there and it was really quick and easy. Just be a confident driver! Dude before making such a bold comment as 'don't read the above posts', make sure you're comprehending the intended message first. Osme SAID'If you're not going over 80km/h when you do the highway merge, you automatically fail'. This implies that if you are not going the specified speed limit, the instructor may fail you. But thanks for clearing that up for everyone else that doesn't have any kind of grasp on the English language. You did nothing but repeat exactly what he said only you ridiculed him for it. Give me a break. Said by: Just think about it. And don't read the above posts! Imagine you were driving 80 k/h and you merged onto the 401. Why would you make sure you are 20 below the limit to merge? Don't merge until you get to 100! That is the whole point of the lane is to get to 100 before you merge. Failing because you weren't familiar with the city's speed limits? Dude, are you familiar with street signs? You are supposed to be looking for street signs all the time, that's how you properly drive. Apparently not. I said that I wasn't familiar with the speed limits on the city streets. The 50 areas were obvious, but there were some 60 and 70 areas that were unsigned, as I went on those streets in areas where there were no signs. I didn't fail because of that, but it contributed to it. Since then I took it again, and I've had my G for a long time. You also had trouble reading my merging comment. It's almost as if you're not half as old as you claim. If you go less than 80km/h when you merge, you fail. I did not say that you're supposed to go dead 80. You're obviously encouraged to go up to 100, but their tolerance level is 20 below that. Newer drivers often make the mistake of merging too slow, so that's their limit on it. I'm sure they deduct points if you merge at 90 too. It also wasn't the 401, it was the 403 in Brantford. Yes victoria park is the location. The reason I am nervous is because 5 of my friends took the g2 exit since it became privateized in 2003 these are the stats. Friend 1: Failed first time at Downswiew, passed 2nd time at Airport. Friend 2: Failed 3 times twice at Downsview, once at Vic Park. Still hasen't passed. Freind 3: Failed twice both at Downsview, passed in some small town I think Aurora or something like that. Friend 4: Failed both in Etobicoke, still hasen't passed. Friend 5: Failed in Newmarket I think, passed at Vic Park. So you see for some reason I think they are screwing us, another friend took the test before it became privatized at Vic Park and passed on first try he said he even hit the curb parallel parking and they passed him. For some reason, Victoria Terr seem to have a bad reputation among drivers with a variety of horror stories. I took my G2 exit there and passed the first time (and it was was quite easy). The only things you have too look out for are the DVP to 401 east transfer and the relatively heavy traffic in the area (compared to places like Aurora and Morningside). Aurora on the other hand wasn't so fun (I would've been nice if they built Morningside a few years earlier ). I did my G1 exit there and it was bad. Luckily I passed, but I didn't know (never been there till that day, but it was the place I could get in the quickest and during March break), and had an edgy examiner (who slammed on the brakes in the middle of an intersection when he though another car in the 4-way stop was going straight when in fact he was signaling a right and was in the process of turning). I don't think that they actively target people for failing. If your friends are all failing their tests, make sure that you don't take tips from them. Speaking of which: If you can't pass the test without tips from others, than you don't deserve your G license, IMHO. We have too many people on the roads nowadays who were somehow able to get their G license's, with some of the worst driving skills. If a person fails their test for their G license, I think they should automatically get booted back to G1 and have a FULLY licensed driver forced on them again. Don't forget to look at dead angles when changing lane AND when you make a stop (to see if any bicycle are coming) I passed on the first try, but the guy told me I didn't check my dead angle when making a stop. Also, always try to stay within 5-10KM/h of the speed limit. If it's 50, go 45. Under that, you might fail. On the highway, make sure you accelerate in the acceleration lane before moving on the highway to 75-80KM/h, otherwise you might be too slow for the cars already there and you will fail. I did mine in Montreal, and I've been driving in Germany since I arrivd here too. The only difference here is on the Highway where there are no speed limits. Usually you have to enter at 110 to make sure nobody hits you, since on the left lane the fastest car go on a regular 200-220, on the right lane you can expect a 150-170. In Ontario, cars normally go at 120 (the 100+20 rule) that means under 80KM/h you're a serious danger (unless somebody in front of you can't drive either and forces you to enter at a slow speed) So 1- Dead angles when changing lane AND when you're a street corning after a stop (exagerate the pause, 2 seconds, look left, right, left dead angle and go) 2- If you go on the Highway, 75-80KM/h before moving in the first lane 3- Keep as close as you can to any speed limit. Pay attention to school zones (30KM/h) if you do not notice them and keep going at 45-50 you're done Good luck! I just wrote my G2 exit to regain my DZ today.don't ask how it happens, it just does. Welcome to Ontario:P The 'highway' consisted of the Airport Parkway! The 401 would be a nasty monster in comparison, this thing has a limit of 80KPH.good thing I asked, I was going 90! Anyways, I was a wreck! Didn't sleep, had to pee, coffee'd out, and nervous! She told me to turn left.and I turned right. Meh.I passed anyways. No clue how.maybe because I'm 30 and it was Friday. She was a cute blond, maybe she digged the power trip she had over me.she could see how frazzled I was. Bottom line, MTO can now bite me until next summer when I have to take my M2 exit. Until then, I can drive a dump truck again. Said by: If you're not going over 80km/h when you do the highway merge, you automatically fail, unless something in front of you prevents you from accelerating. On the highway you should be going 100, if someone in front of you is going 95, pass him. I failed my first time because of that, and because I wasn't familiar with the city's speed limits (Brantford). Exaggerate everything you look at, it's critical that it seems like you're scanning everything. Sidewalks, driveways, side streets etc. Hahaha i took mine in brantford also, those unsigned zones will screw with you if you don't know they are there. Damn speed limit changes like 6 times within a few miles on the same roads. So yea, just make sure they notice you checking everything. Also as osme said, don't merge untill you are doing at least 80km/h or you fail. If you speed my more than 1 or two km/h they can fail you. Basically anything that breaks the law in the slightest they can fail you for it. Said by: Anyways, I was a wreck! Didn't sleep, had to pee, coffee'd out, and nervous! She told me to turn left.and I turned right. Ugh.Haha I did the same thing during my G2 exit. She just kinda coughed, then said ever so politely that left was the other way. I laughed, asked her how she wanted me to turn around, and she said that we'd just go around in a circle to get back. I went to Peterborough to do my G2 exit, I wasn't familiar with the area at all and was nervous as hell. The examiner seemed almost TOO friendly though - we held a normal conversation as we drove, I'd comment about the streets and the layout of the city, she'd tell me where traffic got bad and how annoying the 115 gets when there's garbage trucks, etc. Oh, and ASK about the highway portion of the test. You'll be surprised - most of them will tell you that 110-120KM/h is fine, so long as you don't drive like a fool. She then mentioned how we all speed up in certain areas and they don't ding for that on a G2, she then smiled, and said that only the people who roll through stop signs and block crosswalks fail. I got the message. Mind you, I went 90-100KM/h during my highway portion, and got marked for going too slow As for 'unsigned' zones. That's impossible. Within a City, Town, Village, Police Village or Improvement District, the speed limit is ALWAYS 50KM/h unless otherwise signed - you'll see signs that more or less say this exactly when you enter a town or exit off a highway. This is regardless of whether you're in the middle of nowhere or on a residential street. No sign = 50KM/h. In Townships, it's 80KM/h unless otherwise signed, and this applies regardless of where you are in the Township. On highways designated as Controlled Access in the Highway Traffic Act, it's 80KM/h. Not all Controlled Access Highways are freeways like the 401 - King's Highway 10 and King's Highway 7 in most parts of Ontario are considered controlled access, so they will always be 80KM/h unless signed otherwise. If the speed limit is different, you'll see a sign indicating as such every 200m-2km, depending on the density of the area you're driving in and the speed limit that's posted. Said by: If you speed my more than 1 or two km/h they can fail you. Basically anything that breaks the law in the slightest they can fail you for it.They won't fail you for reasonable speeding on a G2 exit, as a G2 exit is more of a test to determine how you handle day-to-day driving with those around you, and following the flow of traffic is something we do every day - this includes going 60-70 in a 50KM/h zone when it is safe to do so. You WILL get failed for doing that on a G1 exit, as a G1 exit is to determine how well you handle a vehicle, and how well you know traffic laws. They joke that on a G1, you're better off driving 5KM/h under the limit, while on a G2 you're better off driving 5KM/h over the limit. Download The Incredible Machine 3.0 • Windows Games @ The Iso Zone • The Ultimate Retro Gaming Resource. Release Date.: 2001-08-23 Protection..: CD-Check # of Disks..: 21 x 2.88 Game Type..: Puzzle REQUIREMENTS: P90+, 32MB RAM, DX7+, WIN9X/2k Game Notes MORE FUNTABULOUS GADGETASHERY!! It's The Incredible Machine: Even More Contraptions where your first assignment is to create a new GIGAMAREE and your next assignment is to create a big THING-GUMMY and then a mouse driven treadmill powered DOODLY-WOBBLE. In fact every thing in this game involves some JIGGLY-WIDGET or another. So step into our lab, don the white coat, and join us for lots of outrageous, inventive, experimental fun It's the definition of WEIRD SCIENCE. OVER 250 brand new puzzles--c'mon.you've got nothing better to do Single player puzzles for you independent types, and MORE THAN 60 head-to-head puzzles for the competitive personalities Create your own DEVIOUS PUZZLES, then torture others by trading them over the Internet HOW TOUGH do you want 'em? Four levels of difficulty: easy for MOM and Dad, and expert for the 8-year-old in the family. Installation Unzip, unrar and run setup.bat. Evenmore.exe to play. Ripped Music, nothing else. ACCESS PASSWORD: 'theisozone'. 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Explore The Franklin Institute's board 'Special Exhibits (Past)' on Pinterest.| See more ideas about Afghanistan, Afghans and Argo. It was the 113rd meeting of the schools overall, the 84th in Philadelphia, and the 8th meeting at the state-of-the-art football palace in South Philadelphia. Four Philadelphia venues have hosted it: Franklin Field at Penn in University City, starting in 1899; Municipal (later JFK) Stadium and Veterans Stadium, both in South Philadelphia and both also now demolished, and now, the Linc. Army has never beaten Navy at the Linc, falling to them seven times. Saturday’s soul-crushing, 17-13 loss to Navy, was particularly difficult for Army, because the four points represented the closest margin of victory for either side, since 2000. Also, entering the game, the Black Knights had lost ten straight to the Navy Midshipmen. It was the longest streak by either side in the 122-year history of the rivalry. Navy led all-time, 56–49–7, due to a decade of dominance. Navy was heavily favored to continue the streak; Navy coach Ken Niumatalolo and the Midshipmen brought a 7-4 record into Philadelphia. The Midshipmen will be heading to San Francisco, for the Fight Hunger Bowl against Arizona State on December 29. In contrast, Army had posted a 2-9 record. But significantly, on November 3, they had upset Air Force, 41-21, at West Point; it was their first win over the Falcons since 2005. A month earlier, on October 6, Navy had outlasted the Falcons in OT, 28-21, at Air Force. As a result, there were heightened implications for this showdown. The Commander-in-Chief’s Trophy was also at stake for the winner of this game, for the first time since 2005, as both Army and Navy had previously beaten Air Force. In the 21st century, Navy has dominated Commander-in-Chief’s Trophy play. After this victory, they have a 19-2 record against Army (11-0) and Air Force (8-2) in their last 21 meetings. But Air Force had topped Navy in 2010 and 2011, taking the Commander-in-Chief’s Trophy from Annapolis, where it had resided from 2003 to 2009. Accordingly, due to its pair of losses, Air Force had shipped the enormous, gleaming, stunning, silver Commander-in-Chief’s Trophy – which is 2 ½ feet tall and 170 pounds – to Philadelphia, for its bestowal on Saturday’s winner. Both sides wanted it badly. 'It means everything,' said. 'That's our No. 1 goal, to get the Commander-in-Chief's Trophy. I'm just so happy for these guys.' It was trench warfare during the scoreless first quarter, as the teams battled for field position and traded punts. At one point, Navy punted and pinned Army at its own 1, but the Black Knights pushed out for 27 yards, and thus denied Navy a scoring opportunity after the punt. However, the second quarter started auspiciously for Navy, as on its first possession, Noah Copeland rushed up the middle for 12 yards and a TD, for a 7 – 0 lead. But Army answered on its next possession, with a 75-yard drive, capped by senior QB Trent Steelman’s 11 yard scamper into the end zone. It was now 7 – 7 with 6:20 remaining in the first half. With both teams running so often, a long Navy drive would make it unlikely that Army would see the ball again before halftime - which is nearly what happened. Starting at their 21, the Midshipmen embarked on a 15-play, 65-yard drive to the Army 14, that lasted nearly six minutes. Although the Black Knights successfully defended their red zone, by denying a touchdown, Navy’s Nick Sloan – a plebe (i.e., freshman) kicker – drilled a 31-yard field goal to make it 10 – 7 with 0:40 left. Nobody believed that Army’s offense had the potential to score on this possession. And they wouldn’t have, except for a 15 yard penalty on Navy on the kickoff return. Suddenly, Army had the ball at their own 41, with 0:25 to play and two timeouts. Army coach Rich Ellerson wisely decided to try to score. Steelman brought the Black Knights to the Navy 24, and Ellerson sent out kicker Eric Osteen. Osteen, a senior, had been exclusively used for Army kickoffs, throughout his entire career. However, due to the struggles of a plebe kicker this year, Ellerson decided to try Osteen as the placekicker against Temple, against whom he kicked one field goal. In other words, this would be only Osteen’s second field goal attempt, of his entire career. Navy called two timeouts to try to ice him. But the football gods smiled on Osteen and the Black Knights. Incredibly, the 41-yard shot clanged off the left upright and through, to knot the game at 10 – 10, as time expired. (Last year, the game at FedEx Field in Landover, Md., had been tied after three quarters at 21 – 21, before Navy pulled out a 27 – 21 victory.) Midway through the third quarter, Army got the break it needed. When Navy quarterback Keenan Reynolds - a true freshman, who had taken over as the starting QB, halfway through the season - fumbled, the Black Knights took possession at the Navy 37. Eight running plays later, Army had 2nd and 1 at the Navy 2. A touchdown appeared certain. But two running plays later, Army had been pushed back to the Navy 4. Ellerson had no choice but to send out kicker Osteen, who kicked a 21-yard field goal to give Army its first (and only) lead, 13 – 10. In retrospect, the Black Knights’ failure to score a TD, cost them the Commander-in-Chief's Trophy, and ensured that it would return to Annapolis, for the first time since 2009. Steelman: 'I think we did the right thing in that situation. At the same time, field goals aren't going to win you games and you can't put that on our kicker. Touchdowns are going to win games.' The teams then traded punts. Army had just punted to Navy, when the third quarter ended. Last year, it had been tied at 21; this year, Army led, 13 – 10, after three quarters. Only 15 minutes separated the Black Knights from the Commander-in-Chief's Trophy, which the West Pointers hadn't claimed since 1996 - 16 years earlier. Army forced another Navy punt, and started at its own 14, with 12:13 left. Steelman expertly led the Black Knights downfield. Run after run consumed the clock. Four first downs later, Army had the lead, and the ball at the Navy 24, with 9:31 left. If the Black Knights could reach the end zone, for a 20 – 10 lead – well, it was very unlikely that Navy could score twice. This was the zenith of Army’s fortunes; they had all the momentum. Two dozen yards, and the Commander-in-Chief's Trophy was all but theirs. But Navy stiffened, and rebuffed three Army runs, which gained just three yards. Osteen went out for a 37-yard field goal attempt. He had made two field goals already. If he made this one, Navy would require a touchdown to win. But he just missed to the left. So, it remained 13 – 10, and the momentum shifted back to Navy, with 6:57 left. The central reason for Navy’s victory was that Niumatalolo could turn to the passing game, if necessary; Reynolds ultimately was 10 for 17 for 130 yards. In contrast, Steelman only threw it 5 times, completing 4 for 48 yards. As it turned out, both QBs finished with stellar QB ratings: 123.1 for Reynolds; 160.6 for Steelman. Needing to pass, Reynolds quickly zipped the Midshipmen down the field. He completed two passes, with the big strike being a throw to Brandon Turner for a 49 yard gain. Navy was now down to Army’s 8, with 5:17 to play. On 1st and goal, Reynolds rushed to the right for an 8 yard touchdown - 17 – 13, Navy. Ironically, the swiftness of the strike ( 7 plays, 2:16, 80 yards) left a lot of time for Steelman and the Black Knights to score. After Julian Crockett returned the kickoff for 13 yards, Steelman and the Black Knights had a daunting task ahead of them. They were starting at their own 17, with just 4:41 left and two timeouts. For a team which rarely throws the ball, 83 yards was a long way to go in a short time. However, Steelman was more than up to the challenge. He heroically led the Black Knights once more down the field, leaving Navy reeling. Two consecutive passes, for a combined 25 yards, were the big plays. The first got the ball over the 50 with 2:49 left, at the Navy 40; the second reached the Navy 28. Three runs yielded an additional 14 yards and a first down at the Navy 14, with 1:53 left, and Army still had a timeout. Then disaster struck. As Steelman handed off to Larry Dixon, the fullback fumbled the football. Steelman dove for it, but Navy’s Barry Dabney recovered the fumble at the Navy 11. The game was over. Steelman: 'It was routine triple option for us. Honestly, I don't really know what happened. It was a quarterback-fullback mesh but I'm running out of here so I'm going to put that one on me; there's no way I could put something like that on Larry. It's just unfortunate, I don't know how else to put it. I feel like we deserved that game in every way possible but it just didn't happen. We were wearing them down and there was nothing that was going to stop us, but that's life; things don't go your way sometimes. You've just got to be able to turn around.' Army had already fumbled five times and recovered three of them; but the Midshipmen recovered this sixth one. ( Ref.: did the staff emphasize protecting the ball at halftime) Steelman: 'That's an emphasis in every game, especially with the type of offense we run.' Thus, the Navy Midshipmen defeated the Army Black Knights, 17-13, to capture the Commander-in-Chief’s Trophy for the first time since 2009. 69,607 fans saw Vice President Joe Biden present the Commander-in-Chief’s Trophy to Navy for a record 13th time. (Air Force had won it in 2010 and 2011.) And, the Navy Midshipmen have now won 11 straight over the Army Black Knights. 'It's hard to do,' Niumatalolo said. 'It's hard to beat anybody in a rivalry game, but to do it that long just speaks volumes about the guys in the white jerseys.' (Ref.: what Navy head coach Ken Niumatalolo said to him after the game) Steelman: 'To be honest, I don't really remember much, I was pretty torn up. I think he said that I was one of the toughest players he's ever seen and just a great player, and I respect him for that - he's a great coach.' The outcome: No one could break the latest software for intellectual property protection technology introduced by the leading provider of secure license management in the industrial world. Hundreds of participants from all corners of the globe have taken part in a hackers contest aimed at cracking a game. With LVD's Cadman Lite control. 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A built-in lens crack sen-sor monitors the state of lens contami-nation, with instant alerts through the onboard Siemens CNC to provide op-erators and maintenance personnel useful and immediate alarm notifica-tions. All machine mechanical move-ments and laser cutting operations are controlled by the Siemens SINUMERIK 840D CNC. With its open architecture, 10GB hard drive and plain language commands, the CNC is designed to en-able faster start-up and reduced time to first part for the programmers and op-erators alike. Further, a remote service Han-Kwang USA has announced the availability of its new Series PL, specifically Model PL 3015, a long bed, 2D flying optic laser system capable of handling 60” wide x 120” long work-pieces. With a long bed gantry arrange-ment, less motion is required on the machine, providing greater working stability and reduced maintenance re-quirements, according to the company. Model PL 3015 features rapid sin-gle axis speed of 4,724 IPM, simultane-ous X-Y axis speed of 7,900 IPM and maximum cutting speed of 1,181 IPM, all with positioning accuracies better than +/-0.004” per 118” of travel and repeatability to 0.001”. A dual shut-tle pallet system is onboard to maintain optimum productivity in processing. This Han-Kwang laser system fea-tures a Panasonic CO 2 laser resonator in 2, 2.5, 4 and 6 kW versions, as well as the builder’s patented beam radius control, which optimizes the beam di-ameter for various material substrates and thickness variations, resulting in improved part quality. Additionally, the constant beam delivery system on the Han-Kwang laser provides better consistency in the beam quality at the focal point. These features are deliv-ered in the S5 high-speed cutting head found on the machine. The advanced Han-Kwang sensing board and head design improve cutting speed for all sheet metals, according to the manu-facturer. A plasma monitoring unit con-stantly tracks cut errors to further re-duce out-of-tolerance conditions in the support feature allows online commu-nication to the CNC manufacturer for troubleshooting assistance. An optional rotary axis is available for tube cutting up to 12” OD with this Han-Kwang laser system. Fully auto-mated materials handling systems, pal-let towers and other equipment for production improvement are also of-fered by the company. For more information contact: Robert Won Han-Kwang USA INC. 1120 Garfield Street Lombard, IL 60148 630-916-0200 [email protected] www.hankwangus.com Custom Stand-Alone and Tandem Press Brakes from LVD Strippit LVD Strippit specializes in custom stand-alone and tandem press brake installa-tions specifically designed and engineered for the form-ing requirement, including public lighting, shipbuilding, offshore drilling and heavy machinery applications. LVD Strippit’s PPEB-H custom press brakes range in size from 640 tons up to 3,000 tons. Standard series PPEB configurable press brakes are available from 80 tons, 1.5 meter up to 640 tons, 8.1 meter. “Servo controlled with state-of-the-art hydraulics and electronics, these custom standalone and tandem machines represent advanced forming technology, available as a turnkey sys-tem including press brake, CNC feed-ing, evacuation automation and CNC forming tools,” said an LVD spokes-person. “LVD Strippit’s custom de-signed press brakes are available with a number of configurable options, in-cluding heavy-duty material support devices, adjustable along the length of the press brake; automatic program-mable bed crowning; increased open-ing between the ram and bed; ad-ditional ram stroke and throat depth, as well as the option to add the Easy-Form Laser in process angle monitor-ing and correction system. “Tandem machines combine two heavy duty press brakes in a synchro-nized tandem, regulated via a single CNC control. Machines of dissimilar tonnages and lengths can be combined in a tandem configuration for maxi-mum productivity and flexibility. Each machine may also be operated inde-pendently.” All functions including part pro-gramming are controlled through LVD Strippit’s exclusive CADMAN Touch, a PC-based touch screen control sys-tem. CADMAN-B 3D software pro-vides full offline integration and programming. The company has designed and manufactured a 3,000 ton press brake built to form light/lamp posts up to 15 meters long, in thicknesses to 30 mm. Another recent application is the man-ufacture of a custom 3,000 ton, 14 meter press brake for the production of mobile crane equipment. For more information contact: Strippit, Inc. 12975 Clarence Ctr. Akron, NY 716-542-4511 [email protected] www.lvdgroup.com New Wire Feed System from Force Control Industries A new wire cut to length straight-ener system from Force Control Indus-tries is designed for high cycle wire cutoff applications. The package in-cludes a 2-plane wire straightener, tool steel hardened feed wheels, feed gears, separately actuated cut cutoff, wire guides, a Posidyne oil shear clutch brake with pneumatic control valve, accumulator, pressure regulators and gauges, motor and gear reducer all mounted on a steel base plate. The sys-tem is capable of running 14-gage wire at a velocity of 91.6 in/sec with +/.13” accuracy, at 96 CPM (24” length, 50% dwell). Packages are also available for larger size wire, making this system suitable for cut-to-length straightened wire for wire racks, cages, crates and concrete reinforcing wire. The heart of the system is the oil Continued on Page 30 28 April 2011 • SOUTHWEST MANUFACTURING NEWS • www.ipnews.com Han-Kwang Introduces Series PL Flying Optic Laser System Han-Kwang USA has announced the availability of its new Series PL, specificallyModel PL 3015, a long bed, 2D flying optic laser system capable of handling 60” wide x 120” long workpieces. With a long bed gantry arrangement, less motion is required on the machine, providing greater working stability and reduced maintenance requirements, according to the company. Model PL 3015 features rapid single axis speed of 4,724 IPM, simultaneous X-Y axis speed of 7,900 IPM and maximum cutting speed of 1,181 IPM, all with positioning accuracies better than +/- 0.004” per 118” of travel and repeatability to 0.001”. A dual shuttle pallet systemis onboard tomaintain optimum productivity in processing. This Han-Kwang laser system features a Panasonic CO2 laser resonator in 2, 2.5, 4 and 6 kW versions, as well as the builder’s patented beam radius control, which optimizes the beam diameter for various material substrates and thickness variations, resulting in improved part quality. Additionally, the constant beam delivery system on the Han-Kwang laser provides better consistency in the beam quality at the focal point. These features are delivered in the S5 high-speed cutting head found on the machine. The advanced Han-Kwang sensing board and head design improve cutting speed for all sheet metals, according to the manufacturer. A plasma monitoring unit constantly tracks cut errors to further reduce out-of-tolerance conditions in the cutting cycle. A built-in lens crack sensor monitors the state of lens contamination, with instant alerts through the onboard Siemens CNC to provide operators and maintenance personnel useful and immediate alarm notifications. A ll machine mechanical movements and laser cutting operations are controlled by the Siemens SINUMERIK 840D CNC. With its open architecture, 10GB hard drive and plain language commands, the CNC is designed to enable faster start-up and reduced time to first part for the programmers and operators alike. Further, a remote service support feature allows online communication to the CNC manufacturer for troubleshooting assistance. An optional rotary axis is available for tube cutting up to 12” OD with this Han-Kwang laser system. Fully automatedmaterials handling systems, pallet towers and other equipment for production improvement are also offered by the company. For more information contact: Robert Won Han-Kwang USAINC. 1120 Garfield Street Lombard, IL 60148 630-916-0200 [email protected] www.hankwangus.com Custom Stand-Alone And Tandem Press Brakes From LVD Strippit LVD Strippit specializes in custom stand-alone and tandem press brake installations specifically designed and engineered for the forming requirement, including public lighting, shipbuilding, offshore drilling and heavy machinery applications. LVD Strippit’s PPEB-H custompress brakes range in size from640 tons up to 3,000 tons. Standard series PPEB configurable press brakes are available from 80 tons, 1.5 meter up to 640 tons, 8.1 meter. “Servo controlled with state-ofthe- art hydraulics and electronics, these custom standalone and tandem machines represent advanced forming technology, available as a turnkey system including press brake, CNC feeding, evacuation automation and CNC forming tools,” said an LVD spokesperson. “LVD Strippit’s custom designed press brakes are available with a number of configurable options, including heavy-duty material support devices, adjustable along the length of the press brake; automatic programmable bed crowning; increased opening between the ram and bed; additional ram stroke and throat depth, as well as the option to add the Easy- Form Laser in process angle monitoring and correction system. “Tandem machines combine two heavy duty press brakes in a synchronized tandem, regulated via a single CNC control. Machines of dissimilar tonnages and lengths can be combined in a tandem configuration for maximumproductivity and flexibility. Each machine may also be operated independently.” All functions including part programming are controlled through LVD Strippit’s exclusive CADMAN Touch, a PC-based touch screen control system. CADMAN-B 3D software provides full offline integration and programming. The company has designed and manufactured a 3,000 ton press brake built to form light/lamp posts up to 15 meters long, in thicknesses to 30 mm. Another recent application is the manufacture of a custom 3,000 ton, 14 meter press brake for the production of mobile crane equipment. For more information contact: Strippit, Inc. 12975 Clarence Ctr. Akron, NY 716-542-4511 [email protected] www.lvdgroup.com New Wire Feed System From Force Control Industries A new wire cut to length straightener system fromForce Control Industries is designed for high cycle wire cutoff applications. The package includes a 2-plane wire straightener, tool steel hardened feedwheels, feed gears, separately actuated cut cutoff, wire guides, a Posidyne oil shear clutch brake with pneumatic control valve, accumulator, pressure regulators and gauges, motor and gear reducer all mounted on a steel base plate. The systemis capable of running 14-gage wire at a velocity of 91.6 in/sec with +/-.13” accuracy, at 96 CPM (24” length, 50%dwell). Packages are also available for larger sizewire,making this system suitable for cut-to-length straightened wire for wire racks, cages, crates and concrete reinforcing wire. The heart of the system is the oil shear Posidyne clutch brake, which is designed for high cycle rates, long life, low maintenance requirements and accuracy, the company said. “Oil Shear Technology is the reason that Force Control brakes and clutch-brakes are virtually maintenance- free, without the need for adjustment or disc replacement and can last up to 10 times longer than standard dry friction brakes,” said a company spokesperson. “Oil Shear Technology is the function of a boundary layer of transmission fluid in shear between the friction disc and drive plate. As the parts come together, the fluid under shear will transmit torque between the two parts as well as absorb heat. This eliminates direct contact of the friction discs and drive plates during high speed slip. Heat from the friction surface is dissipated as the fluid circulates to the housing. When combined with the closed loop position control, the Force Control wire feed system offers consistency and accuracy.” The CLPC Closed Loop Positioning Control continually adjusts to maintain consistent cut length from start up to end of the day. The control also allows simple change of cut length for various products and has outputs to actuate the cut off knife. The closed loop position control constantly monitors the stopping position and makes adjustments if any ‘stopped position’ errors occur. Compensating for each index ensures precise accuracy. This self-compensating system controls for changes in speed, dynamic load, air pressure, friction in bearings, slides andmore. A watchdog timer will stop index if not made within the set time frame. This is adjustable from 100 milliseconds to 1 minute to accommodate individual requirements. The controlwill stop the drive when it senses the system comes to an unexpected stop, thus preventing damage to the clutch or other system components. The interrupt driven microcontroller operates without scan time problems. “Easy installation and operation is achieved through menu-driven set-up and on-the-fly electronic fine-tuning of the start/stop position,” said the spokesperson. “Simple and straightforward, the CLPC operateswithminimal programming. There are no complex velocity profiles to develop. Designed and developed as a complete system, the Force Control CLPC is supplied with all required components. There is no need for external power supplies or accessories.” For more information contact: Force Control Industries, Inc. 3660 Dixie Highway Fairfield, OH 45014 513-868-0900 [email protected] www.forcecontrol.com • URL: • Email: • URL: • Email. The ABM 500 EVO II delivers high-powered tone with plenty of tools to shape it. The ABM 500 EVO II is a 575W RMS bass amp head designed to satisfy both bass purists and tech-heads alike. Ashdown C115-500 EVO II Bass combo amp, a combination of the ABM 500 EVO II head and a single 15' ashdown BlueLine Driver with 575 watts. Footswitchable EQ and output muting. Ashdown ABM 500 EVO II Mono Bass Amp Head. 5.0 1 Reviews. Write a Review. ABM 500Common to all ABM heads and combos, the ABM preamp satisfies both tech-heads and purists, with the three straightforward rotary tone controls.Click To Read More About This Product. 13 User Reviews for Ashdown ABM 500 EVO II Mono Bass Amp Head at Harmony Central. So if anyone read my earlier thread on this amp, they know that I had SERIOUS reservations about this amp. But I bought it anyway with the assurance that I Could return it anytime in the next two weeks if I was unhappy. My Current setup included a BBE Bmax-T preamp, Crest LT1000 power amp and a Schroeder 410. The power amp died, and I was forced to use an AMPEG SVT-5 Pro in the meantime. ( not recommended, but that's another story) I was not unhappy with my sound from the BBE rig, but I wasn't thrilled either, and the weight of this crap in the road-case was beginning to be a serious problem. I had this nice, warm sound from my rig, but it sounded a bit undefined and when paired with the Schroeder gave off some unpleasant frequencies live, which I couldn't quite seem to dial out. This was not boominess per se, but kind of a very low mid wave that had a tendency to sound unpleasant during breakdowns and softer parts. After much in store use, I bought the Evo. I was VERY concerned about not getting enough volume, as the Evo only gives 575 watts and I had been running almost 1300. I was also concerned about the Subwave octave circuit, as it seemed to track really slowly in the store. I was later to discover why. I Brought the amp back to the rehearsal space. The first thing I noticed was what a pleasure this thing is to move around. It weighs next to nothing for such a powerful amp. And it IS powerful. Perhaps something is lost in the translation between English watts and American, but from a pure power standpoint, the Ashdown 575 watts seemed more responsive to transients and seemed to have more in reserve than the 1000 Ampeg watts listed on the back of my Loaner SVT-5, but more on this later. Aesthetically, I loved the look. The controls were firmly mounted and had a very smooth feel, altho I would liked to have seen metal posts on the sliders as opposed to plastic, and the face lettering seems like it may wear off over time. I love having the DI on the front panel along with the tuner out and mute button, and of course the VU meter is a great touch. First off, this amp has a very powerful eq section. This is of the interactive sort where you can tell each control is run serially, so that if you bottom out all the controls, you have almost no signal left at all. The amp includes a FLAT / SHAPE button which is similar in effect to a lot of these type of controls, which aim to scoop out your sound a bit, and add punch. I left it flat. The main eq dials: Bass, Mid and Treble, are very cool. The bass Frequency seems to be set very low, and have a very limited bandwidth compared to the other two, in that you FEEL more bass as the dial turns, rather that actually hearing an increase in bass frequencies. This is an excellent sound in my opinion as a lot of amps seem to just increase boom and loose definition once the bass dial passes 3'oclock. The mid sections seems to have a much broader bandwidth than the others. If you listen really carefully, you can almost sense that the boosted bandwidth gets narrower the more you boost it. In other words, with the dial set at 2 o'clock, you get a very nice, subtle boost in a very wide range, and as you keep boosting, the center frequency makes itself more evident, as cutoff frequencies east and west of center are boosted slightly less. This is an excellent system, as you never find yourself adding honk or notching the tone at the extreme ends of the control. The treble Controls works in the same fashion as the bass, adding in a lot of boost gives you this nice high-end sheen to the notes, without any harshness at all, even with the cabinet crossover dimed. There are a world of tones available with just these three controls, and they are all useable. I can't stress enough how powerful and interactive these controls are. I've never had any experience with an EQ section this well sorted out with the possible exception of the Epifani UL series, and even then they're very different in feel. The In-between each of these bands are two sliders. The first two are labeled at 180 hz and 340 Hz. These seem to act quite differently than the main controls, in that they have a smaller bandwidth and boost or cut those frequency ranges more evenly. Boosting the 180kz slider ever so slightly gives that musical boom so many fans of the classic bass sound adore, however this control requires a judicious touch, as boosting it much past 75% of it's range can clip the amp.it's that powerful. I found myself cutting this band slightly, which doesn't affect that fatness of the bottom, but does lend a certain amount of clarity. The 340 hz slider is very useful, and a slight boost brings out that bump that helps you cut through the guitar at any volume. The second set of sliders are labeled 1.3khz and 2.6 khz respectively. There is A LOT of tone here at the first slider, and boosting it to about 80% lent a very serious edge to the sound, without sounding 'clanky'. The 2.6khz slider should be left alone or used for cut only IMHO, as this is a fairly noisy frequency range to the human ear. All in all, this is the most well sorted and musical eq I've ever used. Now on to the Subwave. In the store this effect seemed to track slowly. This was due to the fact I wasn't using enough input volume. The input stage has a lot of room in it and seemingly the more you give it, the better it works. I also learned in application this is meant to be a more subtle effect than a regular Octave pedal, in that it will add a bigger bottom to your sound at it's extreme, and fatten things up slightly when used more carefully. The Valve drive works this way also. Only at its's extremes will you get a really distorted tone, and you hafta be past noon to get a real overdrive, but I found engaging this control and setting it at about 10 o'clock gave me the sound I wanted and retained the clarity I need. Now, The power section. As I said, I was very nervous about these 575 watts. Not only because I was used to a lot of power, but because I was concerned about under powering the cabinet. I gave Jorg Schroeder a call, and he said that under powering was unlikely, and that he knew several Ashdown / Schroeder users who were very happy. Now here's the clincher: This thing actually SOUNDS louder than the previous 1200 watt setup. Now there's a lot of argument regarding loudness vs. Watts and perceived volume etc, and I will leave that to the tech-heads, but I can tell you this thing SEEMED louder than the old setup. I had the Input about 3 o'clock ( so that my loudest B String transients just hit the red-zone on the VU meter ), and the master at about 3 0'clock as well. Filled the room up in a way the BBE never did even with 1200 watts behind it. Maybe it was the eq, who knows, but am VERY satisfied. On the downside, the speakers did begin to fart out at a certain volume due to the lesser wattage, and you could hear and feel the power section losing it's grip on the cones a lot sooner, but this was only at volumes which almost noone would need in a live scenario. In return I'm developing a softer touch with my right hand, and the volume is just killer. And the fans are barely audible even after playing at these settings for over 3 hours. All in all the Ashdown has quieted all my concerns and ended up being a peasant surprise. I highly recommend this amp for players of just about any style. So if anyone read my earlier thread on this amp, they know that I had SERIOUS reservations about this amp. But I bought it anyway with the assurance that I Could return it anytime in the next two weeks if I was unhappy. My Current setup included a BBE Bmax-T preamp, Crest LT1000 power amp and a Schroeder 410. The power amp died, and I was forced to use an AMPEG SVT-5 Pro in the meantime. ( not recommended, but that's another story) I was not unhappy with my sound from the BBE rig, but I wasn't thrilled either, and the weight of this crap in the road-case was beginning to be a serious problem. I had this nice, warm sound from my rig, but it sounded a bit undefined and when paired with the Schroeder gave off some unpleasant frequencies live, which I couldn't quite seem to dial out. This was not boominess per se, but kind of a very low mid wave that had a tendency to sound unpleasant during breakdowns and softer parts. After much in store use, I bought the Evo. I was VERY concerned about not getting enough volume, as the Evo only gives 575 watts and I had been running almost 1300. I was also concerned about the Subwave octave circuit, as it seemed to track really slowly in the store. I was later to discover why. I Brought the amp back to the rehearsal space. The first thing I noticed was what a pleasure this thing is to move around. It weighs next to nothing for such a powerful amp. And it IS powerful. Perhaps something is lost in the translation between English watts and American, but from a pure power standpoint, the Ashdown 575 watts seemed more responsive to transients and seemed to have more in reserve than the 1000 Ampeg watts listed on the back of my Loaner SVT-5, but more on this later. Aesthetically, I loved the look. The controls were firmly mounted and had a very smooth feel, altho I would liked to have seen metal posts on the sliders as opposed to plastic, and the face lettering seems like it may wear off over time. I love having the DI on the front panel along with the tuner out and mute button, and of course the VU meter is a great touch. First off, this amp has a very powerful eq section. This is of the interactive sort where you can tell each control is run serially, so that if you bottom out all the controls, you have almost no signal left at all. The amp includes a FLAT / SHAPE button which is similar in effect to a lot of these type of controls, which aim to scoop out your sound a bit, and add punch. I left it flat. The main eq dials: Bass, Mid and Treble, are very cool. The bass Frequency seems to be set very low, and have a very limited bandwidth compared to the other two, in that you FEEL more bass as the dial turns, rather that actually hearing an increase in bass frequencies. This is an excellent sound in my opinion as a lot of amps seem to just increase boom and loose definition once the bass dial passes 3'oclock. The mid sections seems to have a much broader bandwidth than the others. If you listen really carefully, you can almost sense that the boosted bandwidth gets narrower the more you boost it. In other words, with the dial set at 2 o'clock, you get a very nice, subtle boost in a very wide range, and as you keep boosting, the center frequency makes itself more evident, as cutoff frequencies east and west of center are boosted slightly less. This is an excellent system, as you never find yourself adding honk or notching the tone at the extreme ends of the control. The treble Controls works in the same fashion as the bass, adding in a lot of boost gives you this nice high-end sheen to the notes, without any harshness at all, even with the cabinet crossover dimed. There are a world of tones available with just these three controls, and they are all useable. I can't stress enough how powerful and interactive these controls are. I've never had any experience with an EQ section this well sorted out with the possible exception of the Epifani UL series, and even then they're very different in feel. The In-between each of these bands are two sliders. The first two are labeled at 180 hz and 340 Hz. These seem to act quite differently than the main controls, in that they have a smaller bandwidth and boost or cut those frequency ranges more evenly. Boosting the 180kz slider ever so slightly gives that musical boom so many fans of the classic bass sound adore, however this control requires a judicious touch, as boosting it much past 75% of it's range can clip the amp.it's that powerful. I found myself cutting this band slightly, which doesn't affect that fatness of the bottom, but does lend a certain amount of clarity. The 340 hz slider is very useful, and a slight boost brings out that bump that helps you cut through the guitar at any volume. The second set of sliders are labeled 1.3khz and 2.6 khz respectively. There is A LOT of tone here at the first slider, and boosting it to about 80% lent a very serious edge to the sound, without sounding 'clanky'. The 2.6khz slider should be left alone or used for cut only IMHO, as this is a fairly noisy frequency range to the human ear. All in all, this is the most well sorted and musical eq I've ever used. Now on to the Subwave. In the store this effect seemed to track slowly. This was due to the fact I wasn't using enough input volume. The input stage has a lot of room in it and seemingly the more you give it, the better it works. I also learned in application this is meant to be a more subtle effect than a regular Octave pedal, in that it will add a bigger bottom to your sound at it's extreme, and fatten things up slightly when used more carefully. The Valve drive works this way also. Only at its's extremes will you get a really distorted tone, and you hafta be past noon to get a real overdrive, but I found engaging this control and setting it at about 10 o'clock gave me the sound I wanted and retained the clarity I need. Now, The power section. As I said, I was very nervous about these 575 watts. Not only because I was used to a lot of power, but because I was concerned about under powering the cabinet. I gave Jorg Schroeder a call, and he said that under powering was unlikely, and that he knew several Ashdown / Schroeder users who were very happy. Now here's the clincher: This thing actually SOUNDS louder than the previous 1200 watt setup. Now there's a lot of argument regarding loudness vs. Watts and perceived volume etc, and I will leave that to the tech-heads, but I can tell you this thing SEEMED louder than the old setup. I had the Input about 3 o'clock ( so that my loudest B String transients just hit the red-zone on the VU meter ), and the master at about 3 0'clock as well. Filled the room up in a way the BBE never did even with 1200 watts behind it. Maybe it was the eq, who knows, but am VERY satisfied. On the downside, the speakers did begin to fart out at a certain volume due to the lesser wattage, and you could hear and feel the power section losing it's grip on the cones a lot sooner, but this was only at volumes which almost noone would need in a live scenario. In return I'm developing a softer touch with my right hand, and the volume is just killer. And the fans are barely audible even after playing at these settings for over 3 hours. All in all the Ashdown has quieted all my concerns and ended up being a peasant surprise. I highly recommend this amp for players of just about any style. Click to expand.Congrats! I am not surprised you discovered the ABM500 EVO II to possess the power and performance that it gives. I too was skeptical when I went to use one with my Bergantino HT322 cab since the Bergie cabs are so notorius for craving power. But my ABM500 has power to spare. I also learned that the sub harmonizer performance is directly related to how much bass boost you use on the amp. It is still subtle and rightly so, otherwise it could be very tubby and muddy. I think they nailed it quite honestly. I have yet to dial my Master Volume above 1 O'clock! And that is almost stupid loud in most cases. I only use that much volume at louder outdoor gigs. I also drive my input gain as strong as possible so the VU meter does not quite hit the redline. That gives the best signal before noise and the best performance I have found. I find the ABM500 EVO II to be a price/performance/power and leader in the industry. Considering its size and weight, it's even more cool. I have the rack mount version and I might score a stand alone head just to have one. They are sweet amps. Thanks for a great review. Happy Holidays! So if anyone read my earlier thread on this amp, they know that I had SERIOUS reservations about this amp. But I bought it anyway with the assurance that I Could return it anytime in the next two weeks if I was unhappy. My Current setup included a BBE Bmax-T preamp, Crest LT1000 power amp and a Schroeder 410. The power amp died, and I was forced to use an AMPEG SVT-5 Pro in the meantime. ( not recommended, but that's another story) I was not unhappy with my sound from the BBE rig, but I wasn't thrilled either, and the weight of this crap in the road-case was beginning to be a serious problem. I had this nice, warm sound from my rig, but it sounded a bit undefined and when paired with the Schroeder gave off some unpleasant frequencies live, which I couldn't quite seem to dial out. This was not boominess per se, but kind of a very low mid wave that had a tendency to sound unpleasant during breakdowns and softer parts. After much in store use, I bought the Evo. I was VERY concerned about not getting enough volume, as the Evo only gives 575 watts and I had been running almost 1300. I was also concerned about the Subwave octave circuit, as it seemed to track really slowly in the store. I was later to discover why. I Brought the amp back to the rehearsal space. The first thing I noticed was what a pleasure this thing is to move around. It weighs next to nothing for such a powerful amp. And it IS powerful. Perhaps something is lost in the translation between English watts and American, but from a pure power standpoint, the Ashdown 575 watts seemed more responsive to transients and seemed to have more in reserve than the 1000 Ampeg watts listed on the back of my Loaner SVT-5, but more on this later. Aesthetically, I loved the look. The controls were firmly mounted and had a very smooth feel, altho I would liked to have seen metal posts on the sliders as opposed to plastic, and the face lettering seems like it may wear off over time. I love having the DI on the front panel along with the tuner out and mute button, and of course the VU meter is a great touch. First off, this amp has a very powerful eq section. This is of the interactive sort where you can tell each control is run serially, so that if you bottom out all the controls, you have almost no signal left at all. The amp includes a FLAT / SHAPE button which is similar in effect to a lot of these type of controls, which aim to scoop out your sound a bit, and add punch. I left it flat. The main eq dials: Bass, Mid and Treble, are very cool. The bass Frequency seems to be set very low, and have a very limited bandwidth compared to the other two, in that you FEEL more bass as the dial turns, rather that actually hearing an increase in bass frequencies. This is an excellent sound in my opinion as a lot of amps seem to just increase boom and loose definition once the bass dial passes 3'oclock. The mid sections seems to have a much broader bandwidth than the others. If you listen really carefully, you can almost sense that the boosted bandwidth gets narrower the more you boost it. In other words, with the dial set at 2 o'clock, you get a very nice, subtle boost in a very wide range, and as you keep boosting, the center frequency makes itself more evident, as cutoff frequencies east and west of center are boosted slightly less. This is an excellent system, as you never find yourself adding honk or notching the tone at the extreme ends of the control. The treble Controls works in the same fashion as the bass, adding in a lot of boost gives you this nice high-end sheen to the notes, without any harshness at all, even with the cabinet crossover dimed. There are a world of tones available with just these three controls, and they are all useable. I can't stress enough how powerful and interactive these controls are. I've never had any experience with an EQ section this well sorted out with the possible exception of the Epifani UL series, and even then they're very different in feel. The In-between each of these bands are two sliders. The first two are labeled at 180 hz and 340 Hz. These seem to act quite differently than the main controls, in that they have a smaller bandwidth and boost or cut those frequency ranges more evenly. Boosting the 180kz slider ever so slightly gives that musical boom so many fans of the classic bass sound adore, however this control requires a judicious touch, as boosting it much past 75% of it's range can clip the amp.it's that powerful. I found myself cutting this band slightly, which doesn't affect that fatness of the bottom, but does lend a certain amount of clarity. The 340 hz slider is very useful, and a slight boost brings out that bump that helps you cut through the guitar at any volume. The second set of sliders are labeled 1.3khz and 2.6 khz respectively. There is A LOT of tone here at the first slider, and boosting it to about 80% lent a very serious edge to the sound, without sounding 'clanky'. The 2.6khz slider should be left alone or used for cut only IMHO, as this is a fairly noisy frequency range to the human ear. All in all, this is the most well sorted and musical eq I've ever used. Now on to the Subwave. In the store this effect seemed to track slowly. This was due to the fact I wasn't using enough input volume. The input stage has a lot of room in it and seemingly the more you give it, the better it works. I also learned in application this is meant to be a more subtle effect than a regular Octave pedal, in that it will add a bigger bottom to your sound at it's extreme, and fatten things up slightly when used more carefully. The Valve drive works this way also. Only at its's extremes will you get a really distorted tone, and you hafta be past noon to get a real overdrive, but I found engaging this control and setting it at about 10 o'clock gave me the sound I wanted and retained the clarity I need. Now, The power section. As I said, I was very nervous about these 575 watts. Not only because I was used to a lot of power, but because I was concerned about under powering the cabinet. I gave Jorg Schroeder a call, and he said that under powering was unlikely, and that he knew several Ashdown / Schroeder users who were very happy. Now here's the clincher: This thing actually SOUNDS louder than the previous 1200 watt setup. Now there's a lot of argument regarding loudness vs. Watts and perceived volume etc, and I will leave that to the tech-heads, but I can tell you this thing SEEMED louder than the old setup. I had the Input about 3 o'clock ( so that my loudest B String transients just hit the red-zone on the VU meter ), and the master at about 3 0'clock as well. Filled the room up in a way the BBE never did even with 1200 watts behind it. Maybe it was the eq, who knows, but am VERY satisfied. On the downside, the speakers did begin to fart out at a certain volume due to the lesser wattage, and you could hear and feel the power section losing it's grip on the cones a lot sooner, but this was only at volumes which almost noone would need in a live scenario. In return I'm developing a softer touch with my right hand, and the volume is just killer. And the fans are barely audible even after playing at these settings for over 3 hours. All in all the Ashdown has quieted all my concerns and ended up being a peasant surprise. I highly recommend this amp for players of just about any style. Click to expand. Thats a great review, best ive read. Thanks i have just got the 300watt version and although i love the tone i wish i had got the 500watt now. Funny thing is ive been giging for the last 2 years with a MAG 307 C-115 and hoped the ABM would be louder (in to the C_115 cab at the moment) but im not finding that. Anyway, can i ask you how well the mute button works. On my ABM it cuts the sound down but it wont mute the sound completly. Also do you find the sound cuts out momenterily when you use some of the buttons, again mine does and just wanted to know if this is normal thanks again Dave. Click to expand.thanks for the reply. Yeah its got a fantastic tone, just wish i could of got the 500 instead of the 300. I never thought of it before but its such a different sound to the MAG even though they look very similar and have the almost the same controls. Looking at the spec of the 2 i can see the EQ is totaly different. I went for the ABM as a better replacement for the MAG but now find its quite a different sound. A lot more punch and stronger tone so im not complaining. I agree its quite useful to not have the sound totaly muted but why then do Ashdown advertise it a mute button and say you can tune in silence? Better saying its a pad button. Anyway, thanks again you have put my mind at rest over most of the issues i had. Click to expand.Yeah. I just recently discovered through some revelation and help right here in good 'ol TB that I could run my ABM500-RC as a preamp to my Aguilar DB750. So, I did this only yesterday at practice, and I've found a whole new dimension in bass amplification. My speakers: NV215 and D410XLT. The Eden was rather bright. With that horn going on, so I cut it completely off. I'm waiting on the NV425 that I ordered. Should get here to the islands in about a week from now. My next purchase is an 8-space rack, so I can mount my tuner, power conditioner, Ashdown, and Big Daddy Aggie. Gotta get some wheels for this rack. I figure it'll weigh-in at around a 100 pounds! Thats a great review, best ive read. Thanks i have just got the 300watt version and although i love the tone i wish i had got the 500watt now. Funny thing is ive been giging for the last 2 years with a MAG 307 C-115 and hoped the ABM would be louder (in to the C_115 cab at the moment) but im not finding that. Anyway, can i ask you how well the mute button works. On my ABM it cuts the sound down but it wont mute the sound completly. Also do you find the sound cuts out momenterily when you use some of the buttons, again mine does and just wanted to know if this is normal thanks again Dave. Click to expand.I've heard the ABM300 and it can be a very loud amp. I think it has to do with the cab more than your amp. I heard the 300 through a Berg 610 and it was very LOUD. I'm guessing there are two things going on for you. One, you only have one speaker (115) doing the work for the amp. You can only get so much sound out of a single speaker. Second, you're only using 8ohms from a 325 watt amplifier. That means you're only using around 200 watts probably from your amp. That really cuts the power down. I suggest that you either get a second cab to make 4ohms, maybe a 210. If you prefer a one cab does it all solution than try your amp through a 410 or something of the like. Make sure it's a 4ohm cabinet though. The Dead Mag 400 arrived today. The heatsink is WAY too small even with dual fans for a 200-400 watt bass amp!!! This thing will definitly die if pushed hard for long periods of time at 4 ohms. Not much i can do to fix that, but i will see what i can figure out. Power supply capacitors are way too small. And i mean WAY too small. That i can creat a mod for. Signal wires are ziptied to the AC transformer wires!!! This sucker must have horrible hum!!! Again and EZ fix. Not much shielding in this thing. Gain and master volume pots not mounted solidly, they bend very easily. Odd and expensive most fet parts in the output stage. Cant use standard off the shelf parts to replace. Circuit board traces are thin and problematic. Lots of room in the chassis for mods. Lots of fuses, i mean everything is fused! 5 damn fuses in this thing! Nice big Toriod transformer. This is definitly what i would call a boutique amp. Best suited to light jazz bands and studio use. I would NOT equip a Heavy Metal band with one of these or push its limits with large 4 ohm cabs! This is my first ashdown in the shop and so far.well i hope the other models are built more solidly. Nothing beats an Ampeg for there tank like quality, but Edens come close. (and sound better). Artikel ini membutuhkan lebih banyak untuk. Bantulah dengan menambahkan catatan kaki dari. The Secret adalah karya yang di liris pada tahun 2006, salah satu buku laris yang didasarkan pada sebelumnya dengan nama yang sama. 24 katalis untuk mengurangi deforestasi hutan tropis dari. “resiko komoditas hutan”. Ini adalah cetakan pertama Buku Kecil Pendorong Besar Deforestasi, dipublikasikan November 2013. Publikasi buku ini dalam Bahasa Indonesia meningkatkan pemahaman semua pihak. Bagi seorang fotografer ekspresi seorang anak kecil dan bayi adalah suatu momen yang indah, bahkan. Hal itu didukung dengan mood dan ekspresi apapun yang terpancar dari wajah atau bahasa tubuh. Dari buku tentang fotografi portrait, serta sumber dari internet mengenai teori-teori yang berkaitan. Televisi dan Film Fotografi D3 Animasi Pascasarjana Magister Penciptaan. PMB 2017 Download Kontak. --- Navigation ---, Profil. Kelas BIPA (Bahasa Indonesia Bagi Penutur Asing) merupakan kelas bahasa Indonesia bagi mahasiswa asing yang belajar di Institut Seni Indonesia Yogyakarta. Kelas BIPA didesain. Hal ini didasarkan pada hukum tarik-menarik dan mengklaim bahwa berpikir positif dapat membuat dan mengubah hidup, seperti kekayaan meningkat, kesehatan, dan kebahagiaan. Buku ini telah terjual lebih dari 21 juta salinan dan telah diterjemahkan ke dalam 44 bahasa, namun tetap menarik banyak kontroversi, serta yang diparodikan dalam program beberapa TV. Daftar isi • • • • • • Latar belakang [| ] The Secret didasarkan pada film sebelumnya dengan nama yang sama yang dirilis dalam format DVD pada 2006. Prinsip dari film dan buku ini adalah bahwa diatur oleh hukum alam yang disebut hukum tarik-menarik yang dikatakan bekerja dengan menarik ke dalam hidup seseorang sebagai pengalaman, situasi, peristiwa, dan orang-orang dari pikiran dan perasaan seseorang. Oleh karena itu, berpikir dan merasa positif diklaim dapat menciptakan yang lebih baik seperti kekayaan meningkat,, dan. Buku ini diciptakan terilhami oleh buku 'The Science of Getting Rich Yang di tulis oleh pada 1910, Byrne menerima dari putrinya selama ia mengalami trauma pribadi pada tahun 2004. Byrne membaca dan disintesis dari beberapa buku dan kata-kata modern para guru yang berbicara tentang kebijaksanaan kuno dan cara-cara bagi orang untuk menarik apa yang mereka inginkan dalam kehidupan mereka. Buku ini mencakup banyak pemikiran para guru guru besar dalam. Setelah tampil dalam dua episode pada acara 'The Oprah Winfrey Show, buku ini sampai di puncak daftar buku terlaris di New York Times, di mana ia tinggal selama 146 minggu berturut-turut. Buku ini telah diterjemahkan ke dalam 44 bahasa, dan memiliki lebih dari 21 juta salinan. Penjualan Buku dan film the scret telah menghasilkan $ 300 juta, menurut sebuah artikel 15 Januari 2009 oleh Forbes.com. Rasa Syukur sebagian besar untuk penampilan di acara TV Oprah, buku ini adalah salah satu penjualan terbesar di bidang swadaya. Hukum tarik-menarik [| ] Buku The Secret menjelaskan hukum tarik-menarik sebagai hukum alam yang menentukan keutuhan, keteraturan alam semesta dan kehidupan pribadi kita melalui proses 'kemiripan menarik kemiripan.' Persis seperti yang kita pikirkan dan rasakan, frekuensi yang bersangkutan akan dikirim ke alam semesta yang menarik kembali ke arah kita dengan keadaan pada frekuensi yang sama. Misalnya, jika Anda memikirkan pikiran-pikiran marah dan merasa marah, Anda akan menarik kembali kejadian dan keadaan yang menyebabkan Anda merasa marah lagi. Sebaliknya, jika Anda berpikir positif dan merasa baik, Anda akan menarik kembali peristiwa positif dan keadaan baik kepada anda. Hukum mengklaim bahwa hasil yang diinginkan seperti kesehatan, kekayaan, dan kebahagiaan dapat tertarik hanya dengan mengubah pikiran dan perasaan. Ia mengatakan bahwa pikiran kita adalah sebagai magnet yang bisa menarik apapun, peristiwa, kejadian, pengalaman, baik yang kita inginkan atau tidak kita inginkan melalui yang dipancarakan oleh. Sinopsis buku [| ] Buku ini diawali dengan memperkenalkan dan menjelaskan Cara kerja hukum tarik-menarik, kemudian melanjutkan untuk menggambarkan aplikasi kisah orang-orang besar dalam sejarah yang mengaku telah memanfaatkan kekuatannya.Kekuatan pikiran yang diibaratkan sebuah menara transmisi yang mengirimkan frekuensi ke alam semesta dan kemudian kembali memantulkan frekuensi yang sama dalam bentuk fisik atau pengalaman. Selanjutnya, proses tiga langkah kreatif untuk mewujudkan impian yaitu: Meminta, Percaya, dan Menerima. Proses kreatif didasarkan pada sebuah kutipan dari Alkitab: '. Dan segala sesuatu, apa saja yang kamu minta dalam doa dengan penuh kepercayaan, kamu akan menerimanya'(Matius 21:22) Rasa syukur dan visualisasi sebagai dua proses rahasia yang paling kuat untuk membantu satu keinginan mewujud. Ini menegaskan bahwa bersyukur mengangkat frekuensi yang lebih tinggi dan menegaskan bahwa Anda percaya bahwa Anda akan menerima keinginan Anda. Visualisasi dikatakan membantu memfokuskan pikiran untuk mengirim pesan yang paling jelas untuk alam semesta. Beberapa teknik yang diberikan untuk proses visualisasi, orang-orang mengklaim telah menerapkannya dan sukses untuk mewujudkan impian mereka. Sebagai contoh, jika seseorang ingin mobil baru, dengan berpikir tentang mobil baru, memiliki perasaan positif dan bersyukur tentang mobil seolah-olah itu sudah tercapai dan membuka kehidupan seseorang dalam cara yang nyata bagi mobil baru yang akan dibeli (misalnya, tes mengemudi mobil baru, atau memastikan tidak ada satu taman dalam ruang di mana mobil baru akan tiba); hukum tarik-menarik akan mengatur ulang acara untuk memungkinkan mobil untuk terwujud dalam kehidupan seseorang. Bab-bab berikut menjelaskan cara menggunakan hukum tarik-menarik khusus di bidang kekayaan, hubungan, dan kesehatan. Buku ini memberikan contoh dan cara untuk menggunakan hukum tarik-menarik untuk setiap. Bab-bab akhir menawarkan perspektif yang lebih spiritual dari hukum tarik-menarik, dan bagaimana kaitannya dengan kehidupan seseorang dan. Referensi [| ]. MORE INFO The original Alice Cooper group reunited 10/6/15 at Good Records in Dallas, TX. This is two songs from that historic performance. A 45 RPM big hole record on colored vinyl, in a gatefold foil board jacket with art prints, and printed inner sleeve. Colored vinyl variants: 1150 white, 1150 pink, 100 black, and 100 split color pink/white are randomly distributed. The art prints in the pink/white variant are autographed by the four original members. Track List A. 'I’m Eighteen' B. More than 40 years ago, Joey, Johnny, Tommy and Dee Dee stepped on the stage of CBGB and changed the music world forever. As artists tried to become the next Beatle or Mick Jagger, they came with a hard and fast sound that kicked off the punk movement that would become ubiquitous with their. 'Is It My Body'. MORE INFO “Badu at her most experimental' --The Los Angeles Times. Born from a cover of Drake's 'Hotline Bling' and grew into a critically acclaimed digital mixtape and cultural sensation released physically for the first time for Record Store Day Black Friday on clear vinyl. The emotional apex of the album is HELLO, a duet with Andre 3000. USA Today deemed it “classic,” with praise from Rolling Stone, Spin, Essence, The New York Times, Vogue, MTV, Pitchfork, and others. Track List 1. 'Caint Use My Phone (Suite)', 2. 'Cel U Lar Device', 4. 'Phone Down', 5. 'U Use to Call Me', 6. Telephone Man', 7. 'U Don’t Have to Call', 8. 'Medley: What’s Yo Phone Number / Telephone (Ghost of Screw Mix)', 9. 'Dial Afreaq', 10. 'I’ll Call U Back', 11. MORE INFO (Justin Time Essentials Collection) Love for Sale – recorded live at Montreal’s Rising Sun Celebrity Club in 1978 and available on vinyl for the first time, provides an unexpurgated glimpse into the musical reality of Chet Baker’s last years; a life on the move from club to club across North America and Europe. The music was often loose and ragged. But there is a solo on “Snowbound” that is the kind of Baker moment you wait for. It is fragile threads of luminous melody, discovered by a series of existential choices so slow they sometimes almost stop. Track List A1: 'Milestone' B1:'Oh You Crazy Moon' B2:'There Will Never Be Another You' C1:'Snowbound' D1:'Love For Sale' D2:'Love For Sale (Late Night Remix)'. MORE INFO Hand-selected by the band members from their personal music archives, Ladies And Gentelmen... Is a 16-track collection of remastered ’80s-era rarities, demos, live recordings and more, including The Bangles’ debut single and all of the tracks from their self-titled EP—produced by legendary Ramones/Blondie producer Craig Leon. Pressed on red vinyl. Track List SIDE A: 1) 'Bitchen Summer/Speedway' 2:49 2) 'Getting Out Of Hand' 2:16 3) 'Call On Me' 1:34 4) 'The Real World' 2:35 5) 'I’m In Line' 3:05 6) 'Want You' 2:18 7) 'Mary Street' 2:41 SIDE B 1) 'How Is The Air Up There?' 2:56 2) 'Outside Chance' 1:55 3) 'Steppin’ Out' 2:15 4) 'The Real World' 1:57 5) 'Call On Me' 1:41 6) 'Tell Me' 2:14 7) '7 & 7 Is' 2:05 8) 'No Mag Commercial' 0:39 9) 'The Rock & Roll Alternative' 2:18. MORE INFO For Record Store Day Black Friday, James Bay is releasing a special LIVE vinyl collection of songs from his Grammy-nominated album “Chaos And The Calm.' Featuring 9 tracks on wax, plus an additional 2 exclusives available on the digital download card. This 12-inch was recorded live at London's Hammersmith Apollo in March 2016. VINYL + DIGITAL DOWNLOAD CARD 12' Vinyl Track List Side A 1. MORE INFO For the first time ever, the earliest recordings from America's greatest band. Nineteen tracks, nine of them previously unreleased on vinyl. Liner notes are by Jim Murphy, author of Becoming The Beach Boys, 1961--1963, and this release on randomly distributed red, blue and yellow vinyl is fully authorized by The Beach Boys. Track List Side A: 1) 'Surfin’ (Take 5)', 2) 'Luau (Takes 1-2)', 3) 'Lavender (Take 4)', 4) 'Surfin’ Safari (Take 4)', 5) 'Surfer Girl (Take 1)', 6) 'Judy (Demo-April ’62 Guitar Solo)', 7) 'Beach Boy Stomp (Take 1)', 8) 'Barbie (Overdub - Take 5)', 9) 'What Is A Young Girl Made Of (Overdub - Take 3)' Side B: 1) 'Surfin’ (Master)', 2) 'Luau (Master)', 3) 'Lavender (Rehearsal - Take 2)', 4) 'Surfin’ Safari (Master)', 5) 'Surfer Girl (Master)', 6) 'Judy (Master)', 7) 'Beach Boy Stomp (AKA Karate) (Master)', 8) 'Barbie (Master)', 9) 'What Is A Young Girl Made Of (Master)'. MORE INFO Betts with Jim Hall, Chuck Levell & Butch Trucks in a scorching set recorded in '83. Standard weight black vinyl. After the Allman Brothers split up in 1982, Dickey Betts formed a new band, recruiting Jimmy Hall (Wet Willie) as co-leader. Fellow ABB members Chuck Leavell, David Goldflies, and Butch Trucks joined, forming the Betts, Hall, Leavell, and Trucks Band (aka BHLT). This live performance was recorded at The Coffee Pot, Roanoke, VA, in January of 1983. Double vinyl edition! Track List 1 'Nothing You Can Do (There Ain't)' 2 'Whole Lotta Memories' 3 'Lorraine' 4 'One Track Mind' 5 'Ramblin' Man' 6 'Rain' 7 'Need Somebody Bad' 8 'Pick a Little Boogie' 9 'Stop Knockin on My Door' 10 'Let Me Ride' 11 'Cadillac Tracks' 12 'Jessica' 13 'Southbound' 14 'Rollin' 15 'I Believe To My Soul'. MORE INFO The Film: This strikingly shot concert documentary follows enigmatic Drag City singer-songwriter Bill Callahan on a two week tour from California to New York. For the past 25 years, under both the Smog moniker and under his own name, Callahan has cultivated a legacy as both a pioneer in the lo-fi movement and one of the country’s finest troubadours. The film is built on impressionistic scenes of Callahan’s life on the road combined with his cryptic musings ('I started playing music when I was 20, and time stopped for me then in a good way”), creating a voyeuristic glimpse into his meticulously constructed universe of disaffection and disorder. It is an austere and beautiful portrait of both the musician and the multifarious American landscape. The Gatefold LP packaging will include the DVD of the film and an LP of exclusive vinyl only tracks. MORE INFO Never-before issued recordings from legendary Motown guitarist, Dennis Coffey, captured live at Morey Baker's Showplace Lounge in Detroit in 1968. Coffey was one of the “Funk Brothers,” as featured in the documentary Standing In The Shadows of Motown. This album was produced by Mike Theodore (Searching for Sugar Man) and Coffey. The package features striking cover art by comic book artist Bill Morrison (The Simpsons), rare photos, and essays. Limited edition, hand-numbered, 180g black vinyl. Track List Side A: 1. 'The Fuzz' 2. 'By The Time I Get To Phoenix' 3. 'The Look Of Love' Side B: 1. 'Maiden Voyage' 2. 'The Big 'D' 3. 'Casanova' 4. 'Wade In The Water'. MORE INFO An Evening With Ornette Coleman (Part 1) is taken from a 1965 concert at Fairfield Hall in Croydon, England. This album captures Coleman during a transitional period that showcases his experimentation with contemporary classical forms. The recordings have been released in various forms over the years, though the last US vinyl pressing is now over 40 years old. Presented as the first in a two part series, this reissue shines a new light on the fantastic recording from a world-renowned jazz great. Pressed on 180g color vinyl at Pallas in Germany, this limited edition release features new artwork and is exclusive to Record Store Day Black Friday 2016. Track List A1 'Sadness' 3:33, A2 'Clergyman's Dream' 12:15, A3 'Falling Stars' 8:54 B1 'Silence' 9:13, B2 'Happy Fool' 7:11, B3 'Doughnuts' 6:10. MORE INFO The Grammy-nominated U.K. Duo – brothers Guy and Howard Lawrence – gave the lead-off track “BOSS” its first live performance at their self-curated Wild Life Festival in the U.K. Anchored around Howard’s pitched-down vocal, the song is a tour de force of propulsive hi-hats, liquid bass and incendiary dynamics. The intoxicatingly soulful “Feel Like I Do” came together after Guy sampled soul legend Al Green’s classic hit “I’m Still In Love With You” off a batch of vinyl he had purchased. When Disclosure sought approval to use the track, the request reached the ears of The Reverend himself. Green loved it so much that he made an exception to his usual practice and gave Guy the original recording stems to work with. Track List Side A 1. 'BOSS' Side B 2. 'Feel Like I Do', 3. 'Moog For Love'. MORE INFO Live audio of the band performing their biggest release beginning to end. Pressed on double red vinyl. Track List DISC ONE, SIDE ONE: 1 'Decadence Dance (Live)', 2 'Li'l Jack Horny (Live)', 3 'When I'm President (Live)' DISC ONE, SIDE TWO: 1 'Get the Funk Out (Live)', 2 'More Than Words (Live)', 3 'Money (In God We Trust) (Live)' DISC TWO, SIDE ONE: 1 'It's a Monster) (Live)', 2 'Pornograffitti (Live)', 3 'When I First Kissed You (Live)', 4 'Suzi (Wants Her All Day What?) (Live)' DISC TWO, SIDE TWO: 1 'Flight of the Wounded Bumblebee (Live)', 2 'He-Man Woman Hater (Live)', 3 'Song For Love (Live)', 4 'Hole Hearted (Live)'. MORE INFO This is the first official reissue of the Barbarella soundtrack, and the first time that any iconic imagery of Jane Fonda in one of her signature roles has been placed on to picture disc. The album was mastered from the original analog sources used in the initial 1968 release. The album has been out of print since 1975. Track List Side One: 1. 'Barbarella' Vocal by The Glitterhouse 2:40, 2. 'Goodnight Alfie' 1:29, 3. 'Spaceship Out Of Control' 1:28, 4. 'Ski Ride' 1:56, 5. 'The Hungry Dolls' 1:48, 6. 'Love Love Love Drags Me Down' Vocal by The Glitterhouse 3:42, 7. 'Pygar Finds Barbarella' 1:17, 8. 'I Love All The Love In You' Vocal by The Glitterhouse 3:52, 9. 'The Labyrinth' 1:11, 10. Pygar's New Wings' 1:57, 11. 'Fight In Flight' 2:39 Side Two: 1. 'Entrance Into Sogo' 1:56, 2. 'Hello Pretty Pretty' 1:03, 3. 'Pygar's Persecution' 1:16, 4. 'The Black Queen's Beads' 3:31, 5. 'Dead Duck' 0:34, 6. 'The Pill' 1:02, 7. 'Smoke (Viper Vapor)' 2:16, 8. 'The Sex Machine' 3:17, 9. 'The Chamber Of Dreams' 2:23, 10. 'The Destruction Of Sogo' 2:27, 11. 'An Angel Is Love' Vocal by Bob Crewe 4:23. MORE INFO Perhaps one of the most important blues recordings of all time, Frank Frost's Hey Boss Man! Has long been a 'white whale' for many record collectors. The album is one of the last blues records to be producded by the legendary Sam Phillips. Frost and his Mississippi cohorts Jack Johnson and Sam Carr played Southern juke joint blues, rough & ready in the classic mold, with plenty of dynamic interplay and nasty, lowdown grooves. This limited edition red color vinyl reissue marks the first US vinyl release since the original pressing in 1962! Track List A1 'Everything's Alright', A2 'Lucky To Be Living', A3 'Jelly Roll King', A4 'Baby You're So Kind', A5 'Gonna Make You Mine', A6 'Now Twist' B1 'Big Boss Man', B2 'Jack's Jump', B3 'So Tired Living By Myself', B4 'Now What You Gonna Do', B5 'Pocket Full Of Shells', B6 'Just Come On Home'. MORE INFO 180g purple tie dye colored Record Store Day Black Friday exclusive, individually numbered with foil-stamping in an edition of 3000, and remastered for vinyl and featuring the original artwork, designed by Mike Steirnagel. Reflections is Jerry Garcia’s third solo album, originally released in 1976. The album includes contributions from members of The Grateful Dead including Bob Weir, Phil Lesh, Mickey Hart,Bill Kreutzmann, Keith Godchaux, and Donna Jean Godchaux, along with other collaborators, John Kahn, Ron Tutt, Nicky Hopkins, amongst others. Track List 1. 'Might As Well' 2. 'Mission In The Rain' 3. 'They Love Each Other' 4. 'I'll Take a Melody' 5. 'It Must Have Been the Roses' 6. 'Tore Up Over You' 7. 'Catfish John' 8. 'Comes a Time'. MORE INFO Light In The Attic's soundtrack imprint Cinewax Recordings is honored to announce an official re-release of Jerry Goldsmith's 1974 epic score to Roman Polanski's masterpiece Chinatown. The Academy Award nominated soundtrack ranks ninth on the American Film Institute's Top 25 film scores of all time and remains a monumental classic for music fans around the globe. This exclusive Black Friday title is newly re-mastered and features new artwork by renowned painter and illustrator Sterling Hundley with layout by Jay Shaw (Mondo/Death Waltz). Limited to 2,500 copies on gold wax and includes a 18 x 24' poster. Track List Side A 1. 'Love Theme From Chinatown (Main Title)', 2. 'Noah Cross', 3. 'Easy Living', 4. 'Jake And Evelyn', 5. 'I Can't Get Started', 6. 'The Last Of Ida' Side B 1. 'The Captive', 2. 'The Boy On A Horse', 3. 'The Way You Look Tonight', 4. 'The Wrong Clue', 5. 'Love Theme From Chinatown (End Title)'. MORE INFO The full 33-minute, unreleased, psychedelic funk jam session by Memphis rhythm kingpins the Bar-Kays, mixed directly from the original tapes. Contains bonus rhythm section instrumental and booklet detailing the history of this never-before-heard version of one of Isaac Hayes’ most famous songs by Hayes historian Bill Dahl. Hayes was already a cutting-edge funk master at Stax Records when he accepted the unprecedented assignment of creating a soundtrack for the 1971 action flick Shaft. At a time when R&B songs routinely timed out at three minutes and under, Hayes’ albums for Stax’s Enterprise imprint had been breaking new ground since 1969. His masterpiece Hot Buttered Soul consisted of only four tracks, two songs on The Isaac Hayes Movement clocked in at a hair under 12 minutes, and one selection on his To Be Continued stretched to 15:33. But his epic “Do Your Thing,” one of the cornerstones of the two-LP Shaft soundtrack, outdid them all. Occupying nearly the entire last side of the set, it concluded after 19-and-a-half grooving minutes with the overdubbed sound of a needle scratching violently across a piece of vinyl. No one knew that jarring ending masked the existence of another 13 minutes of “Do Your Thing.” Consigned to the vaults, those improvisatory extensions—somewhere in between free-jazz and psychedelic rock—were seemingly destined never to be heard. Track List 1. 'Do Your Thing (Part One)', 2. 'Do Your Thing (Part Two)', 3. 'Do Your Thing (Rhythm Section Mix)'. MORE INFO Iggy and the Stooges live reunion gig in Japan in 2004, 30 years after their split. Limited red and white vinyl version. Iggy & The Stooges practically invented punk rock but split up in 1974. 30 years later, they reformed, and released a reunion gig live album - appropriately on Skydog Records who had released their infamous 'final' gig album 'Metallic K.O.' 'Telluric Chaos' was recorded in Tokyo, Japan in 2004, and features 17 tracks over 79 minutes, including old Stooges classics plus new songs. Track List 'Loose', 'Down On The Street', '1969', 'I Wanna Be Your Dog', 'TV Eye', 'Dirt', 'Real Cool Time', 'No Fun', '1970', 'Fun House', 'Skull Ring', 'Rock Star', 'Electric Chair', 'Little Doll', 'My Idea of Fun', 'I Wanna Be Your Dog', 'Not Right'. MORE INFO Forty years ago, on November 26, 1976, Jethro Tull released a four song EP. The new 40th anniversary tracklisting on this EP includes two Steven Wilson remixes - 'Solstice Bells', and a mix of the previously unreleased 'Magic Bells (Solstice Bells)' which was produced by Mike Batt for a possible Christmas single, but not used. Both remixes will also appear o the forthcoming remixed Jethro Tull album Songs From The Wood in the spring of 2017. Two songs are common to both EPs: 'Solstice Bells' and 'Christmas Song'. Track List SIDE A 1 RING OUT, SOLSTICE BELLS (3.40) (Ian Anderson) Produced by Ian Anderson Remixed by Steven Wilson 2 A CHRISTMAS SONG (3.04) (Ian Anderson) Produced by Terry Ellis & Jethro Tull SIDE B 1 ANOTHER CHRISTMAS SONG (3.31) (Ian Anderson) Produced by Ian Anderson 2 MAGIC BELLS (RING OUT, SOLSTICE BELLS) (3.16) (Ian Anderson) Produced, arranged and re-titled by Mike Batt Remixed by Steven Wilson. MORE INFO The Jungle Brothers’ 1988 debut, Straight Out The Jungle, was important for many reasons. It was sloppy and goofy but had moments of real focus and social consciousness. It was a true “kitchen sink” record, that caught a rap fanbase enraptured by Eric B. & Rakim, Public Enemy and Boogie Down Productions a bit off-guard. Also of note, beyond the excellence of the album itself, the Jungle Brothers were the fulcrum for what would become the Native Tongues movement – they came first, De La Soul and A Tribe Called Quest followed, under their guidance. By 1989, the group had even more confidence, plus a Warner Bros. Contract and advance in their back pocket. They used it to great advantage on the self-produced and criminally underrated Done By The Forces Of Nature, expanding their sonic palette and continuing their Afrocentric approach to music and life. Singles like “What ‘U’ Waitin’ 4” and “Doin’ Our Own Dang” (with De La and Q-Tip, alongside Monie Love) showed the group’s fun side, which has also lead the way in the “hip-house” movement. But things weren’t all fun and games, as deeper, more pensive album tracks like “Black Woman,” “Beeds On A String,” and “Acknowledge Your Own History” show. It was another accomplished mix of fun, frolic and knowledge-of-self, proving that you could be serious in the rap game but still let off steam and fill the dancefloor. Done By The Forces Of Nature stands as one of the most cherished hip-hop documents of the late ‘80s among true-school heads, and this edition is the perfect way to revisit this classic thinking-man’s (and woman’s) rap platter. Issued for the first time ever on 2-LP with the original picture sleeve artwork, it also comes with a reproduction of the original insert, with credits and lyrics. Track List 1. 'Beyond This World', 2. 'Feelin' Alright', 3. 'What 'U' Waitin' 4?' 'U' Make Me Sweat', 6. 'Acknowledge Your Own History', 7. 'Belly Dancin' Dina', 8. 'Good Newz Comin', 9. 'Done By The Forces Of Nature', 10. 'Beeds On A String', 11. 'Tribe Vibes', 12. Beez Comin' Through', 13. 'Black Woman', 14. 'In Dayz '2' Come', 15. 'Doin' Our Own Dang', 16. 'Kool Accordin' '2' A Jungle Brother'. MORE INFO A brand new, never before issued 7” EP celebrating the recent 50th anniversary of The Kinks. The EP features material originally released in 1968. It includes the Til Death Do Us Part film theme; “Do You Remember Walter?” and “People Take Pictures Of Each Other” from The Village Green Preservation Society and “This Is Where I Belong” which was originally recorded for 1965’s Face To Face, but not used. It was later released as the B-Side to “Mister Pleasant” in 1967. Track List Side A 'Till Death Do US Part'/'People Take Pictures Of Each Other' Side B 'This Is Where I Belong'/'Do You Remember Walter?' MORE INFO In celebration of the recent 50th Anniversary of The Kinks, we continue the series of reissues of their original 1964 – 1971 7” EP’s. The Kinks 7” EP was originally issued in the UK in 1967 and has been out of print in this configuration ever since. Includes “David Watts”, “Two Sisters”, “Lazy Old Sun” and “Situation Vacant”, all of which would later be included on the album Something Else By The Kinks. Track List Side A 'David Watts'/'Two Sisters' Side B 'Lazy Old Sun'/'Situation Vacant'. MORE INFO Lil Yachty and his whimsical brand of 'boat music', along with his signature beaded red braids took the Internet and hip hop culture by storm with the introduction of the hit song '1 Night' and his debut mixtape named his alter ego, Lil Boat. It lead to Yachty being named 'The Future of Hip Hop' by Esquire and selling out his first national headlining tour, aptly named 'The Boat Show'. Track List Side A - 1 'Intro', 2 'Wanna Be Us', 3 'Minnesota', 4 'Not My Bro', 5 'Interlude', 6 'Good Day', 7 'Up Next 2' Side B - 1 'Never Switch Up', 2 'One Night', 3 'Out Late', 4 'Fucked Over', 5 'I’m Sorry', 6 'We Did It'. MORE INFO The lead singers of Deer Tick, Dawes, and Delta Spirit now come together to form the groundbreaking musical project, Middle Brother. McCauley, Goldsmith, Vasquez - three songwriters with an amazing sense of purpose, balancing themes of their own playful self-indulgence with humbler notes of heartbreak and hope. This Limited Edition 10' includes five B-sides from the 2011 Middle Brother album. Includes a previously unreleased Middle Brother version of Deer Tick's 'Funny Word'. Track List SIDE A: 1. 'I Can't Stay Here Anymore' 2. 'Funny Word' 3. 'Hemingway' SIDE B: 1. 'Walkin' The Beat' 2. 'Steely Dan And Outlaw'. MORE INFO Rudy Ray Moore was a storyteller extraordinaire, a hilarious, low-down dirty man, and a legit trailblazer in the world of no-holds-barred, fuck-the-censors comedy. This classic, live Christmas album shows Moore in the 1970s form that cemented his late-night legacy. The song “Merry Christmas, Baby” starts things off – a slow, dusty blues number bolstered by a wobbly but upright backing band. The song itself is PG, extolling the virtues of a caring partner and the joy of the season. Truth be told, it’s a warm and wonderful holiday song. Good old fashioned family fun.But with the man also known Dolomite, the “down and dirty” is never far away. Side 2 is where things get good (and X-rated. It all starts with Rudy retelling “The Night Before Christmas” – with his grooving backing band – in his trademark raunchy style. Also included, a psychedelic blues number, detailing Brother Rap’s visit to heaven (to get dirty, of course). And it all finishes up with a thematically appropriate Christmas themed tale, with the term mtherf*cker used in potentially record-breaking numbers. It’s what you’d expect from the legendary, foul-mouthed, groundbreaking comedy legend. A perfect way to keep the holidays from becoming too much of a Hallmark moment. Track List 1. 'Merry Christmas Baby', 2. 'Night Before Christmas Part One', 4. 'Health Department', 5. 'Night Before Chistmas Part Two', 6. 'Eatin' Pussy', 7. 'Black Cat', 8. 'Brother Rapp's Dream (St. MORE INFO Full length remix release of MUTEMATH's latest LP Vitals featuring remixed versions of all album tracks plus an unreleased b-side track! Track List Side A - 1) 'Changes', 2) 'Used To (mellowmatics remix)', 3) 'Stratosphere (Darren King Remix)', 4) 'Composed (Hasta Remix)', 5) 'Remain ( RMC Remix)' Side B - 1) 'Monument (Disero Remix)', 2) 'Light Up (yachtclub. Remix)', 3) 'All I See ( Aloha Remix by Gummerman)', 4) 'Vitals (Alt. Flint Eastwood)', 5) 'Safe If We Don’t Look Down (Imagined Herbal Flows Remix)'. MORE INFO This is the first official vinyl reissue of the Popeye soundtrack, with music and lyrics by Harry Nilsson. The soundtrack features vocals by Robin Williams, Shelly Duvall, and Ray Walston, and this reissue also features two previously unreleased score cues from the film, sourced from original analog stereo master tapes. Track List Side One: 1. 'I Yam What I Yam' Performed by Robin Williams (Popeye), 2. 'He Needs Me' Performed Shelly Duvall (Olive Oyl), 3. 'Sweet Pea's Lullaby' Performed by Robin Williams, 4. 'Rough House Fight' • Studio Orchestra, 5. 'Din' We' Performed Robert Fortier (Bill Barnacle - the Town Drunk), 6. 'Sweethaven' Performed by The Citizens of Sweet Haven, 7. 'Blow Me Down' Performed by Robin Williams (Popeye) Side Two: 1. 'Sailin' Performed by Shelly Duvall (Olive Oyl) and Robin Williams (Popeye), 2. 'It's Not Easy Being Me' Performed by Ray Walston (Poopdeck Pappy), 3. 'He's Large' Performed Shelly Duvall (Olive Oyl), 4. 'I'm Mean' Performed by Paul L. Smith (Bluto), 5. 'Kids' Performed by Ray Walston (Poopdeck Pappy), 6. 'I'm Popeye the Sailor Man' Performed by Robin Williams (Popeye), 7. 'End Title Medley • Studio Orchestra. MORE INFO Exclusive vinyl pressing of live performances by Angel Olsen (side A) & Steve Gunn (side B), recorded live at Pickathon 2014 in Portland, OR. The sixth release in the ‘Live At Pickathon’ vinyl-only series. Limited pressing on black 150g vinyl, featuring original artwork from renowned poster artist Travis Bone (www.furturtle.com) and pressed at Cascade Record Pressing in Milwaukie, Oregon. Track List A (Angel Olsen) 1 'Acrobat' 2 'Free' 3 'Lights Out' 4 'Stars' B (Steve Gunn) 1 'Tommy's Congo' 2 'Water Wheel' 3 'Wildwood'. MORE INFO After the death of David Bowie, frequent collaborators Jherek Bischoff and Amanda Palmer paid homage to their hero by releasing five tracks of Bowie’s arranged for string quartet and voice, with special guests Neil Gaiman, Anna Calvi and John Cameron Mitchell. A few months later, when Prince joined Bowie in the great beyond, they joined forces again to release their own quartet version of “Purple Rain”. Both songs were released internet-only, and this RSD release is the only appearance of this collection in physical form. Features beautiful original artwork by various painters done on commission for the digital projects. Track List Side A (29 Minutes) 1. 'Blackstar' (Featuring Anna Calvi), 2. 'Space Oddity' (Featuring Neil Gaiman), 3. 'Ashes to Ashes', 4.' Heroes' (Featuring John Cameron Mitchell), 5. Jherek Bischoff - 'Life On Mars?' Side B (11 minutes) 1. 'Purple Rain'. MORE INFO Coming for Record Store Day Black Friday, a special first-time-on-vinyl, limited-edition release of Jaco: Original Soundtrack features music drawn from the critically acclaimed full length documentary film chronicling the life, music and ongoing influence of the mythic electric bass pioneer Jaco Pastorius. Produced by Robert Trujillo and Jaco’s eldest son Johnny Pastorius, Jaco: Original Soundtrack brings together essential recordings including Jaco Pastorius solo tracks, Weather Report masterpieces and musical collaborations with Joni Mitchell, Ian Hunter, Herbie Hancock, and more. Track List 'COME ON, COME OVER' Jaco Pastorius, 'CONTINUUM' Jaco Pastorius, 'RIVER PEOPLE' Weather Report, 'TEEN TOWN' Weather Report, 'PORTRAIT OF TRACY' Jaco Pastorius, 'THE DRY CLEANER FROM DES' Joni Mitchell, 'ALL AMERICAN ALIEN BOY' Ian Hunter, 'LIBERTY CITY Jaco Pastorius, 'OKONKOLE Y TROMPA' Jaco Pastorius, 'BARBARY COAST' Weather Report, 'CRISIS' Jaco Pastorius, 'LONGING' Mary Pastorius, 'NINETEEN EIGHTY SEVEN' Crosses, 'SHINE' Tech N9NE, 'CONTINUUM' Rodrigo y Gabriela, 'COME ON, COME OVER' Mass Mental (feat. Robert Trujillo. MORE INFO Good God's Urge is the second and final release from Porno For Pyros, the Los Angeles-based alternative rock band featuring former Jane's Addiction members Perry Farrell and Stephen Perkins. The album features performances by legendary bassists Mike Watt and Flea, as well as former Jane's Additiction guitarist Dave Navarro. The 1996 album was never released on vinyl, making this the first ever commercial pressing. Track List A1 'Porpoise Head', A2 '100 Ways', A3 'Tahitian Moon', A4 'Kimberly Austin', A5 'Thick Of It All' B1 'Good God’s Urge', B2 'Wishing Well', B3 'Dogs Rule The Night', B4 'Freeway', B5 'Bali Eyes'. MORE INFO Vinyl release of the debut EP from Prophets of Rage, comprised of Tom Morello, Tim Commerford and Brad Wilk of Rage Against the Machine, Chuck D of Public Enemy, B-Real of Cypress Hill and DJ Lord. Features two original songs 'Prophets of Rage' and 'The Party's Over' along with live versions of past Rage, Public Enemy and Cypress Hill cover tracks! Track List 1. 'Prophets of Rage' 2. 'The Party’s Over' 3. 'Killing in the Name' (live) 4. 'Shut Em Down' (live) 5. 'No Sleep Til Cleveland' (live). MORE INFO Hermitage Hotel Men's Bathroom Emerald Green colored vinyl. Record Store Day Black Friday exclusiveThe inaugural, lead single from The Raconteurs' critically-acclaimed Broken Boy Soldiers. The band formed in 2005 when Motor City melody master Brendan Benson, the White Stripes' Jack White, Jack Lawrence and Patrick Keeler (both of The Greenhornes) joined forces to help pull together some unfinished material Benson had been working on. This record has been out of print for an entire decade and not since its first and only pressing back in 2006 have folks been able to indulge themselves in its sweet, sweet riffage. It is a staple of TMR catalog and, at long last, it will be reissued with a dedicated catalog number of its own. This RSD edition will include a reproduction sticker of a backstage pass from one of the band's first tours. Track List 'Steady, As She Goes'/'Store Bought Bones'. MORE INFO This 180g LP combines the best tracks from the recordings of two live shows on 8/12/76. Compiled by Craig Leon. Track List 1. 'Beat on the Brat', 3. 'Blitzkrieg Bop', 4. 'I Remember You', 5. 'Glad to See You Go', 6. '53rd & 3rd', 8. 'I Wanna Be Your Boyfriend', 9. 'Havana Affair', 10. 'Listen To My Heart', 11. 'California Sun', 12. 'Judy Is a Punk', 13. 'I Don’t Wanna Walk Around With You', 14. 'Today Your Love, Tomorrow The World', 15. 'Now I Wanna Sniff Some Glue', 16. 'Let’s Dance'. MORE INFO Highlights from Otis Redding’s legendary 3-night stand at Hollywood’s Whisky A Go Go in 1966! Limited to a run of 2500 copies, this double album is printed on 180g red vinyl, and is housed in a gatefold jacket that features extensive liner notes and original artwork. The live recordings have been newly mixed and remastered from the original 4 track tapes. Track List Disc 1 Side A 1. 'Introduction' – 0:33, 2. 'I Can’t Turn You Lose' – 4:43, 3. 'Pain In My Heart' – 2:16, 4. 'Security' – 2:28, 5. 'Just One More Day' – 4:33, 6. 'Any Ole Way' – 3:59 Side B 1. 'I’ve Been Loving You Too Long' – 5:46, 2. 'I’m Depending On You' – 2:53, 3. Pitiful' – 3:02, 4. 'Good To Me' – 3:56, 5. 'Respect' – 2:13 Disc 2 Side A 1. 'Chained and Bound' – 5:13, 2. 'Ole Man Trouble' – 2:52, 3. 'Destiny' – 2:56, 4. 'These Arms of Mine' – 3:12 Side B 1. 'A Hard Day’s Night' – 4:14, 2. 'Papa’s Got a Brand New Bag' – 10:08, 3. 'I Can’t Get No (Satisfaction)' – 3:21, 4. 'Outro' – 0:39. MORE INFO This special limited edition vinyl EP features 6 tracks--live recordings of classic Refused tracks, captured during their triumphant 2015 Freedom tour, along with additional studio tracks, “Servants of Death” – from the Freedom album and “Stolen Voices”, a bonus track never before available on vinyl. Track List Side A: 1. 'Servants of Death' 2. 'Stolen Voices' 3. 'Thought is Blood (Live)' Side B: 1. 'Dawkins Christ (Live)' 2. 'Shape of Punk to Come (Live)' 3. 'Tannhauser / Derive (Live)'. MORE INFO Exclusively for Record Store Day Black Friday, this deluxe double LP release features performances from The Revivalists' breakout album Men Amongst Mountains, captured live in their home city of New Orleans. Recorded at the legedary Tipitina's and showcasing the dynamic live performance that the band is acclaimed for. Look for The Revivalists out on tour now. Track List 1. 'Wish I Knew You (Live)', 2. 'Monster (Live)', 3. 'Stand Up (Live)', 4. 'Keep Going (Live)', 5. 'It Was a Sin (Live)', 6. 'All In The Family (Live)', 7. 'Men Amongst Mountains (Live)', 8. 'Fade Away (Live)', 9. 'Bulletproof (Live)', 10. 'Move On (Live)'. MORE INFO Rogue Wave covering the best of the 1980’s, eaturing songs by The Cure, Genesis, ZZ Top & more. Limited edition pressing on opaque hot pink vinyl in a gorgeous gatefold jacket. Track List 1. 'Rescue' (Echo and The Bunnymen), 2. 'In Between Days' (The Cure), 3. 'Let My Love Open The Door' (Pete Townsend), 4. 'That's All' (Genesis), 5. 'Bette Davis Eyes' (Kim Carnes), 6. 'Love My Way' (Psychadelic Furs), 7. 'Sharp Dressed Man' (ZZ Top), 8. 'She Sells Sanctuary' (The Cult), 9. 'Under the Milky Way' (The Church), 10. 'Talking In Your Sleep' (The Romantics), 11. 'Money Changes Everything' (Cyndi Lauper), 12. 'In A Big Country' (Big Country). MORE INFO Four colors of vinyl--red, blue, yellow and green--randomly distributed. 'Grouch' green is the hardest to find. Track List Letter B, Off to School, It's Zydeco, Wet Or Dry, I Want To Hold Your Ear, Grouch Girls Don’t Want to Have Fun, The Word Is 'No', Healthy Food, A Little Yelp From My Friends, Rebel L, There's a Lot of Different Ways to Get to School, Hand Talk, ZZ Blues, I'm The Big One Now, D-U-C-K-I-E, I'm A Bookwork Baby, Wet Paint, Once Is Not Enough, It's Just a Rock (But I Like It Fine), Hey Food. MORE INFO Jabba Flow 10” Picture Disc is the new vinyl single from the Hollywood Records and American Recordings compilation, Star Wars Headspace, executive produced and curated by visionary GRAMMY Award®-winning producer Rick Rubin. The 10' vinyl single features the track 'Jabba Flow: Rick Rubin Re-work (Feat. A-Trak)' by Shag Kava on both sides with Kylo Ren and Star Wars' BB-8 character images. SHAG KAVA, by the way, is the nom de Star Wars of JJ ABRAMS and LIN-MANUEL MIRANDA. Track List A SIDE: 'Jabba Flow' (Rick Rubin re-work)/ B SIDE: 'Jabba Flow' (Rick Rubin re-work). MORE INFO T.S.O.L.' S fourth studio album, Revenge, is now in its 30th year. What better way to commemorate the 30th anniversary than to bring the record back to vinyl? Originally issued on Enigma Records in 1986, the album has now been out of press for decades. This limited edition reissue is being made exclusively for Record Store Day Black Friday 2016. Track List A1 'No Time' 2:39, A2 'Nothin' For You' 2:31, A3 'Memories' 3:10, A4 'Colors (Take Me Away)' 4:13, A5 'Madhouse' 3:55 B1 'Revenge' 3:08, B2 'Change Today' 2:18, B3 'Still The Same' 3:49, B4 'Your Eyes' 3:47, B5 'Everybody's A Cop' 2:36. MORE INFO For Black Friday, an expanded edition of Real Gone's recent release of a previously unreleased concert by the Paul Butterfield Blues Band featuring four additional, never before released tracks. The release is pressed on 'Butter Yellow' and 'Bloom Blue' vinyl. Track List SIDE ONE 1. 'Instrumental Intro' 2. 'Look Over Yonders Wall' 3. 'Born in Chicago' 4. 'Love Her with a Feeling' 5. 'Get Out of My Life, Woman' SIDE TWO 1. 'Never Say No' 2. 'One More Heartache' 3. 'Work Song' SIDE THREE 1. 'Coming Home Baby' 2. 'Memory Pain' 3. 'I Got a Mind to Give Up Living' 4. 'Walking by Myself' SIDE FOUR 1. 'Midnight Hour' 3. 'Danger Zone' 4. 'Baby Please Don't Go' 4. 'Got My Mojo Workin'. MORE INFO Groovin’ Hard is a collection of previously unreleased live recordings of the legendary bluesy jazz trio, The Three Sounds, led by Gene Harris. Captured live at Seattle's Penthouse Jazz Club from 1964-1968, this set contains soulful originals like “Blue Genes” and standards like 'The Shadow Of Your Smile,' which was never released on any other Three Sounds' albums. Deluxe package includes rare photos and memorabilia, plus essays. Limited edition, hand-numbered, 180g black vinyl. Track List Side A: 1. 'Girl Talk' 2. 'The Night Has A Thousand Eyes' 3. 'Blue Genes' 4. 'The Shadow Of Your Smile' 5. 'Rat Down Front' Side B: 1. 'Yours Is My Heart Alone' 2. 'Bluesette' 4. 'Ceasar And Cleopatra (film theme)' 5. 'The Boogaloo'. MORE INFO 'International Players Anthem (I Choose You)' by U.G.K. Is one of the most recognizable Hip Hop songs of the 2000s. This is the kind of record that can be heard anywhere, from car shows in Texas to basement parties in Brooklyn, maybe even at your cousin’s wedding. This song is so good that at the 2007 BET Hip Hop Awards Kanye West famously gave his Video Of The Year award to U.G.K. After “Stronger” beat “International Player’s Anthem”. Let's also not forget it's Grammy Nomination. Yes it's that good. S celebratory anthem also features Outkast and the groups combine as one over a very hypnotic Three 6 Mafia produced beat. The sample used is Willie Hutch's 'I Choose You' from the movie The Mack, which is the perfect backdrop for Andre 3000, Pimp C (R.I.P), Bun B and Big Boi to spit tales of woman, money and marriage. The song starts off with Andre 3000 rhyming over the elegant do wop vocal harmonies until a stuttered drum kick changes the mood for Pimp C to spit fire. This beat change/mood switch happen each verse, fitting each rappers personality and tone, kudos to DJ Paul and Juicy J for expertly crafting this record. For Record Store Day Black Friday, Get On Down presents “International Players Anthem” as a special collectible vinyl release shaped like U.G.K.’s home state of Texas! Track List 1. 'International Players Anthem (I Choose You)' 2. 'International Players Anthem (Instrumental)'. MORE INFO Anyone who watched The Wonder Years - the hit TV drama from the late 80's & early 90's - likely remembers the music as much as any other aspect of the show. The soundtrack is truly unmatched, featuring artists like CSNY, Van Morrison, Buffalo Springfield, and Carole King. The album opens, of course, with Joe Cocker's memorable cover of The Beatles' 'With a Little Help From My Friends', which also served as the show's theme song. Previously out of press since the initial 1989 release, the iconic soundtrack is finally coming back to vinyl with this limited edition reissue, pressed on color vinyl exclusively for Record Store Day Black Friday. MORE INFO The undeniably 'classic' Christmas album comes to vinyl--brown, scented vinyl--for Record Store Day Black Friday. Track List 1–Cowboy Timmy 'Mr. Hankey The Christmas Poo', 2–Mr. Garrison 'Merry Fucking Christmas', 3–Eric Cartman 'O Holy Night', 4–Juan Schwartz & The South Park Children's Choir 'Dead, Dead, Dead', 5–Mr. Mackey 'Carol Of The Bells', 6–Kyle Broflovski 'The Lonely Jew On Christmas', 7–Shelley Marsh 'I Saw Three Ships', 8–Stan Marsh & Wendy Testaburger 'It Happened In Sun Valley', 9–Adolf Hitler 'O Tannenbaum', 10–Satan The Dark Prince 'Christmas Time In Hell', 11–Chef 'What The Hell Child Is This?' Hankey 'Poo Santa Claus Is On His Way', 13–Eric Cartman 'Swiss Colony Beef Log', 14–The South Park Children's Choir 'Hark The Herald Angels Sing', 15–The Broflovskis & Eric Cartman & Stan Marsh 'Dreidel, Dreidel, Dreidel', 16–Kenny McCormick & Mr. Hankey Poo 'The Most Offensive Song Ever', 17–Mr. Ose 'We Three Kings', 18–Mr. Hankey Poo, Stan Marsh, Kyle Broflovski And Eric Cartman 'Have Yourself A Merry Little Christmas'. MORE INFO Get On Down continues its very welcome obsession with James Brown’s stable of late ’60s and early ‘70s talent – much of it culled from his People Records label by bringing this first-time-ever on-vinyl package to the world. With 12 tracks spanning 1967 to 1975, each cut here packs an undeniable punch. Featuring James’ most talented side-people, including The JBs, Bobby Byrd, Marva Whitney, Lyn Collins and Vicki Anderson, Volume 3 goes even deeper in the cut than previous collections, with the Ohio-based studio crew The Dapps (featuring drummer / vocalist Beau Dollar), the Dee Felice Trio and even a cheekily named side crew called the A.A.B.B. (Above Average Black Band). The more that newcomers and diehard fans alike dig into the James Brown and People Records vaults, the more they realize that it’s a neverending source of truly next-level funk and soul music. And you can be sure this aural goodness will keep flowing to the public, thanks to the exhaustive efforts of Get On Down. Track List 1. 'Talkin' Loud And Saying Nothin' - James Brown, 2. 'Blow Your Head' - Fred Wesley & The JBs, 3. Hot Pants aka Across The Track (Pts. 'Who Knows' - Beau Dollar, 5. 'How You Gonna Get Respect (When You Haven't Cut Your Process Yet)' - Hank Ballard, 6. 'Doin' The Do' - Bobby Byrd, 7. 'Pick Up The Pieces One By One' - A.A.B.B., 8. 'Give It Up Or Turnit A Loose' - Lyn Collins, 9. 'Hang Out & Hustle' - Sweet Charles, 10. 'The Was A Time' - Dee Felice Trio, 11. 'If You Don't Give Me What I Want (I Gotta Get It Some Other Place)' - Vicki Anderson, 12. 'It's My Thing (You Can't Tell Me Who To Sock It To') - Marva Whitney. MORE INFO Pop The Clutch is a new compilation of rare and obscure rockabilly tracks, carefully curated from the catalogs of iconic (and now defunct) labels such as Del-Fi Records and Atco Records. Many of the songs that appear on this one-of-a-kind LP are nearly impossible to find in their original 45RPM 7' form, making this must have for any serious collector of early Rock & Roll and/or rockabilly music. This limited release features brand new artwork and is pressed on white vinyl, exclusively for Black Friday Record Store Day. MORE INFO Take a trip on Santa’s sleigh through ten tracks of holiday cheer, Jazz Dispensary-style. Side A presents funky chestnuts from the likes of Booker T. & the MGs, Electric Jungle, and The Jive Turkeys, while Side B contains adventurous outings from Kenny Burrell, Rotary Connection, Pharoah Sanders, and more. Housed in an eye-catching gummy-themed cover and pressed on candy-red vinyl, this limited edition collection is designed to elevate your holiday listening experience. Track List SIDE A 1. The Jive Turkeys – 'Get Down Santa' (3:01), 2. & the MGs – 'We Wish You a Merry Christmas' (2:25), 3. Electric Jungle – 'Funky Funky Christmas' (3:05), 4. Rufus Thomas – 'I’ll Be Your Santa Baby' (3:34), 5. Juan Torres – 'Pueblito de Belem' (2:23) SIDE B 1. Joseph Byrd – 'Carol of the Bells' (1:19), 2. Don Patterson – 'Santa Claus Is Coming to Town' (5:29), 3. Kenny Burrell – 'My Favorite Things' (3:34), 4. Rotary Connection – 'Peace at Last' (4:02), 5. Pharoah Sanders – 'Prince of Peace' (8:51). MORE INFO Launched in 2005, the blog Aquarium Drunkard has become a daily destination for many on a never ending quest for musical discovery. In 2011, AQD established The Lagniappe Sessions featuring some of the site's favorite artists covering some of their favorite artists. AQD posts these exclusive sessions as free MP3s on the site for fans to enjoy. Nearly 100 sessions later, and some of the great names in modern music have taken part. AQD and Light In The Attic have joined forces, picking one dozen tracks culled from the sessions, all of which have never been released on vinyl -- including Of Montreal covering The Kingston Trio, Kevin Morby taking on The Germs, and Matthew E. White doing Randy Newman. Additional artists include Dungen, Sonny & The Sunsets, William Tyler, and Ryley Walker. Limited to 1,500 copies on colored wax. Track List Side A 1. Of Montreal - 'All My Sorrows' (Kingston Trio), 2. Sonny & The Sunsets - 'Tracy Had A Hard Day Sunday' (West Coast Pop Art Experimental Band), 3. Ryley Walker - 'Everybody Is Crazy' (Amen Dunes), 4. Dungen - 'Alberto Balsalm' (Aphex Twin), 5. Little Wings - 'Eyes Without A Face' (Billy Idol) Side B 1. White Fence - 'Allison Road' (Gin Blossoms), 2. Ultimate Painting - 'All I Wanna Do' (Sheryl Crow), 3. Tashaki Miyaki - 'I Only Have Eyes For You' (The Flamingos), 4. White - 'I’ll Be Home' (Randy Newman), 5. Kevin Morby - 'Caught In My Eye' (The Germs), 6. William Tyler - 'She's As Beautiful As A Foot' (Blue Oyster Cult), 7. Jennifer Castle - 'Walkin' Down The Line' (Bob Dylan). MORE INFO When most people think about Nigerian music, the first thing that comes to mind is Lagos—the country’s main commercial center, the glittering megacity that spawned Yoruba-speaking music luminaries such as Fela Kuti, King Sunny Ade, Sir Shina Peters and Wizkid. But Nigeria is a country of rich diversity, especially in its music: From the Igbo highlife and rock bands of east-central region, to the deep Edo roots rhythms from the midwest, to the keening, ornamented Fulani melodies of the north. But one region whose music has remained largely underexplored is the south eastern land of the Efik and Ibibio ethnic groups in Cross River and Akwa Ibom State—the region colloquially referred to as “Calabar.” A cradle of culture, this region was one of the earliest outposts of Nigerian popular music. Its primordial rhythms traveled across the Atlantic during the slave trade to provide the part of the foundation for Afro-Cuban grooves that would go on to influence the development of jazz, rock & roll, R&B and funk. With the new Calabar-Itu Road compilation, Comb & Razor Sound presents15 heavy tracks recorded in the decade between 1972 and 1982, spotlighting rare music from “Calabar” superstars such as Etubom Rex Williams, Cross River Nationale, Charles “Effi” Duke, The Doves and Mary Afi Usuah. The package features a magazine-style booklet containing a wealth of information about the milieu with rare photographs and illustrations. The Calabar-Itu Road is the major artery linking modern-day Cross River and Akwa Ibom States. And Calabar-Itu Road: Groovy Sounds from South Eastern Nigeria (1972-1982) will link the region’s music to the rest of the world! When most people think about Nigerian music, the first thing that comes to mind is Lagos—the country’s main commercial center, the glittering megacity that spawned Yoruba-speaking music luminaries such as Fela Kuti, King Sunny Ade, Sir Shina Peters and Wizkid. But Nigeria is a country of rich diversity, especially in its music: From the Igbo highlife and rock bands of east-central region, to the deep Edo roots rhythms from the midwest, to the keening, ornamented Fulani melodies of the north. But one region whose music has remained largely underexplored is the south eastern land of the Efik and Ibibio ethnic groups in Cross River and Akwa Ibom State—the region colloquially referred to as “Calabar.” A cradle of culture, this region was one of the earliest outposts of Nigerian popular music. Its primordial rhythms traveled across the Atlantic during the slave trade to provide the part of the foundation for Afro-Cuban grooves that would go on to influence the development of jazz, rock & roll, R&B and funk. With the new Calabar-Itu Road compilation, Comb & Razor Sound presents15 heavy tracks recorded in the decade between 1972 and 1982, spotlighting rare music from “Calabar” superstars such as Etubom Rex Williams, Cross River Nationale, Charles “Effi” Duke, The Doves and Mary Afi Usuah. The package features a magazine-style booklet containing a wealth of information about the milieu with rare photographs and illustrations. The Calabar-Itu Road is the major artery linking modern-day Cross River and Akwa Ibom States. And Calabar-Itu Road: Groovy Sounds from South Eastern Nigeria (1972-1982) will link the region’s music to the rest of the world! Track List 1. Mbre Isong (Intro) - Isadico Dance Band, 2. Nyong Eyen Unen - Cross River Nationale, 3. Eyen Erong Nwa - The Visitors, 4. Akam Itoro Abasi - Mansion, 5. Akananwan Isong Idung - Monica Isaac, 6. Top Eyop Odo - Emmanuel Ntia, 7. Akwa Idim - The Sea Lions, 8. Suk Usan Idang (Interlude) - Charles Duke, 9. Eti Eyenekla - Isadico Dance Band, 10. Akan Anwan Isong Idung - The Doves, 11. Mma Ama Mbo - Mary Afi Usuah & the South Eastern State Cultural Band, 12. Atak Mfat Eyen - Sunny Risky & the Vitamin Explosion, 13. Eseme Ikpong - Chief Inyang Henshaw & his Top Ten Aces, 14. Ererimbot Afayung Oko - Etubom Rex Williams & his Nigerian Artistes. MORE INFO The album responsible for naming a genre! Originally released in 1982, Black Metal was the second full length album from Venom and remains a major influence on Thrash Metal, Death Metal, and Black Metal. Record Store Day Black Friday exclusive picture disc version features the original iconic cover art from bassist/singer Cronos. Track List Side A ('Black') 1. 'Black Metal' 3:40, 2. 'To Hell and Back' 3:00, 3. 'Buried Alive' 4:16, 4. 'Raise the Dead' 2:45, 5. 'Teacher's Pet' 4:41 Side B ('Metal') 6. 'Leave Me in Hell' 3:33, 7. 'Sacrifice' 4:27, 8. 'Heaven's on Fire' 3:40, 9. 'Countess Bathory' 3:44, 10. 'Don't Burn the Witch' 3:20, 11. 'At War with Satan (preview)' 2:14. MORE INFO Republic Records will be releasing Volbeat’s critically-acclaimed album Beyond Hell / Above Heaven, never before released on an LP as a Record Store Day exclusive on. The release includes a double LP and download card and the 2-LP set will be an exclusive gold colored vinyl. The band recently wrapped up their US Summer tour with select dates as an opener for Avenged Sevenfold and new radio single “Seal The Deal” is impacting Active Rock now! Track List Disc 1 Side A - 1. 'The Mirror And The Ripper', 2. 'Heaven Nor Hell', 3. 'Who They Are' Side B - 1. 'Fallen – Album Version', 2. 'A Better Believer', 3. '7 Shots' Disc 2 Side A - 1. 'A New Day', 2. '16 Dollars', 3. 'A Warrior’s Call', 4. 'Magic Zone' Side B - 1. 'Being 1', 3. MORE INFO After the success of Howling Wolf--The London Sessions, released last year for Record Store Day Black Friday, Brookvale Records offers the second installment in the series this year: Muddy Waters--The London Sessions. Newly remastered for vinyl and pressed on 180g black vinyl. Packaged in a stunning gatefold “True Replica” jacket featuring a special “reverse board” texture to impeccably replicate the 1972 original. Track List 'Blind Man Blues'/'Key To The Highway'/'Young Fashion Ways'/'Im Gonna Move To the Outskirts Of Town'/'Who's Gonna Be Your Sweet Man When I'm Gone'/'Walkin' Ready/Sad Sad Day/I Don't Know Why. MORE INFO Ben Webster's Gone With The Wind is a truly incredible album that has been underappreciated throughout the years, in part because it hasn't been pressed anywhere in nearly three decades. The live performance took place at the legendary Montmartre Jazzhus in Copenhagen in January of 1965, right in the prime of Webster's long European period. For Record Store Day Black Friday, we're happy to shine light on the historic recording with this limited edition 180gram white color vinyl pressing, which features new, exclusive artwork. Track List A1 'Perdido' 7:22, A2 'Yesterdays' 7:12, A3 'I'm Gonna Sit Right Down And Write Myself A Letter' 5:57, A4 'Set Call' 3:02, A5 'Sunday' 4:10 B1 'That's All' 6:15, B2 'Gone With The Wind' 5:51, B3 'Over The Rainbow' 5:38, B4 'Indiana' 5:52, B5 'Misty' 3:35. MORE INFO Republic Records will be releasing Andy Black’s debut album The Shadow Side as a never-before-released vinyl piece for Record Store Day Black Friday. The LP, a limited-quantity picture disc includes Black’s full album which features singles “You Don’t Have To Dance” and “Ribcage”. Black, more famously known as the front man of the metal band Black Veil Brides recently wrapped up his first solo international tour. Track List Side A - 1.Homecoming King, 2. We Don’t Have To Dance, 3. Stay Alive, 5. Love Was Made To Break, 6. Beautiful Pain, 7. Put The Gun Down Side B - 1. Drown Me Out, 2. Paint It Black, 3. Break Your Halo, 4. Louder Than Your Love, 5. Broken Pieces, 6. MORE INFO PRESSED AT RANDOM ON OPAQUE RED VINYL AND OPAQUE GREEN VINYL! “THE CONNECTION GETS IT!” - Steven Van Zandt, The Underground Garage Heralded by rock pioneer, visionary, and Rolling Stones manager Andrew Loog Oldham, Championed by Little Steven Van Zandt, consistent airplay on Sirius XM’s The Underground Garage including many Coolest Songs In The World, one would suggest that New England’s newest hit-makers The Connection are on a roll. Channeling equal parts early Beatles, The Kinks, Paul Collins Beat, The Romantics, Ramones, and The Knack, down and dirty 60’s garage rock meeting the swagger of The Rolling Stones, The Connection grabs hold of the listener at first hook and either throttles you or sends you to the dance floor begging for more. Spending several weeks writing and recording, including a song writing session with punk rock pioneer and founder of NYC legends The Dictators Andy Shernoff. New England’s newest hit-makers are at it once again, churning out pure and honest, true to form rock n’ roll including; their jangly tongue-in-cheek holiday anthems from “Money, Honey, Baby” to the bubble gum sing-a-long “West Coast” and bringing it all back home with the spirit of holiday “I Feel Fine (It’s Christmas Time)” co-written with Andy Shernoff. The Connection’s hit song catalog including bridges the gap between Brit Pop, Bubble Gum, Garage Rock, and raw energy punk with Ramones like hooks and Real Kids raw energy. I am sure every good little rock n roller will be wanting Christmas Collection crossed off Santa’s list when he comes rolling through town this Holiday Season, Cheers!! Track List 1. Money, Honey, Baby, 2. I Feel Fine (It's Christmas Time), 3. Christmas Bells Are Ringing, 4. West Coast, 5. Better Late Than Never, 6. Christmas Time Again, 7. Rock N' Roll Christmas, 8. Merry Christmas (I Don't want To Fight). MORE INFO The Lone Survivor soundtrack featuring a collaboration between Texas post-rock band Explosions in the Sky and film composer Steve Jablonsky, this soundtrack will be available for the first time on a 180 gram double LP in a gatefold jacket. A Portion of the proceeds will go to The Journey Home Project, which connects donors to veterans organizations that do the most good. Track List 01 'Warriors', 02 'Waking Up', 03 'Briefing', 04 'Seal Credo / Landing', 05 'Checkpoints', 06 'The Goat Herders', 07 'The Decision', 08 'Set The Free', 09 'False Summit', 10 'Murphy’s Ridge', 11 '47 Down', 12 'Axe', 13 'QRF En Route', 14 'Hunted', 15 'Gulab', 16 'Near Beheading', 17 'A Storm Is Coming', 18 'Letter Received / Taliban Attacks', 19 'Lone Survivor', 20 'Never, Never, Never, Give Up'. MORE INFO Celebrating the 50th Anniversary, 1966-2016, of the still-active legendary Iowa garage band! Their first single from 1966 'Blackout Of Gretely' was notably featured on the Rhino 'Nuggets' box set, remains in regular rotation on Little Steven's Underground Garage, and appears at #27 in the TOP 1000 greatest garage singles as compiled in Mike Markesich's monumental 2012 reference book, 'Teen Beat Mayhem'. Their 'Doin Me In' from 1967, which was undiscovered and unreleased until 1984, appears at #112 in the same TOP 1000! GONN has been represented by numerous sold-out and now collectible reissues of multiple singles and LP's on Sundazed, Bomp/Voxx, MCM, and other labels, going back to 1984. Never out of touch among themselves, since their official reunion as a live band in 1990 GONN has undertaken numerous European tours and festival appearances, and had a sold out Record Store Day 7' picture disc 4-track EP called 'Est. 1966' in 2013. 'Time Travel: 50 Years Come and GONN' picks up the ball for their 50th year as a band, tracing their activities from that 1990 reunion concert through numerous fuzz-drenched authentic, true-to-their-roots studio recordings including tracks previously unreleased and/or appearing on vinyl for the first time, exclusively for Record Store Day. To book-end 50 years, the 2LP set includes a brand new Craig Moore/Rex Garrett song, 'Travel In Time', written specifically for this true garage killer Record Store Day-only, numbered colored vinyl limited edition. To emphasize the 'Time Travel' theme, the custom cover by artist Dave Moe builds on inspiration from the 1960 'Time Machine' film, and the 24x36 poster included is an expanded version of the amazing artwork that has to be seen in person to be believed. The custom inner sleeves are loaded with dated pictures and poster reprints spanning the band's entire history, which is also detailed in synopsis form. MORE INFO An epic showdown between two modern day torchbearers of experimental dub music and the legendary Jamaican musical icon. On-U Sound are proud to present two exclusive new versions of an Adrian Sherwood-produced Lee “Scratch” Perry tune, sent on a far-out version excursion by the brains behind cult “8-bit reggae” label Jahtari. On the A side, Rootah turns out a casio-fried galactic funk Re-rub primed to nice up the dance. Shades of Prince Jammy’s computerised dub ricochet around a brilliantly demented vocal from The Upsetter. A distant descendent of classic Black Ark floorfiller “Disco Devil”. On the flip Disrupt spaces things out further into a maze of arcade machine blips and vocoder delay, while a soulful girl group chorus beams down from the cosmos. This is dancehall from saturn, lovers rock made by aliens. Another Pipecock Jackson premonition, another 2026 On-U Sound creation. Retro jukebox style 7” disco plate housed in a beautifully designed house bag, strictly limited edition for Black Friday Record Store Day. Track List Side A - 'Scientific Dancehall (Rootah Version)' Side B - 'Scientific Dancehall (Disrupt Dub)'. MORE INFO Almost two hours of Sun Ra & his Arkestra spread across three RTI-pressed LPs. Each packaged in a deluxe gatefold chipboard jacket with extensive liner notes. Track List 1. Intro / Springtime Again – 6:44 2. Advice to Medics / Friendly Galaxy – 8:38 3. Love In Outer Space – 7:26 4. Hocus Pocus – 3:48 5. The Mayan Temples – 8:36 6. Yeah Man – 3:25 7. Prelude to a Kiss – 6:31 8. Space Is The Place / We Travel The Spaceways – 5:51 9. Intro / Early Autumn – 6:37 10. Opus In Springtime – 4:28 11. Retrospect / East of the Sun – 7:57 12. Carefree – 7:18 13. Cocktails for Two – 5:14 14. Planet Earth Day – 8:04 15. Space Loneliness – 7:47 16. We Travel The Spaceways – 7:08. MORE INFO Almost two hours of Sun Ra & his Arkestra spread across two CDs, with extensive liner notes. Track List 1. Intro / Springtime Again – 6:44 2. Advice to Medics / Friendly Galaxy – 8:38 3. Love In Outer Space – 7:26 4. Hocus Pocus – 3:48 5. The Mayan Temples – 8:36 6. Yeah Man – 3:25 7. Prelude to a Kiss – 6:31 8. Space Is The Place / We Travel The Spaceways – 5:51 9. Intro / Early Autumn – 6:37 10. Opus In Springtime – 4:28 11. Retrospect / East of the Sun – 7:57 12. Carefree – 7:18 13. Cocktails for Two – 5:14 14. Planet Earth Day – 8:04 15. Space Loneliness – 7:47 16. We Travel The Spaceways – 7:08. MORE INFO Equal parts primal, early rock’n’roll, deviant hill country blues, and avant-garde art, Tav Falco's Panther Burns are ramshackle, raw, unholy & utterly amazing. The historico-musico revue originated in 1979 at the nadir of Memphis’ postmodern, post-Beale, post-Sun, post-Stax era, and boasts an impressive roster of past members including Alex Chilton of Big Star, Ben Cauley of the Bar-Kays, and Jim Duckworth of The Gun Club, among many others. In an equally impressive line-up for the latest recordings, Tav Falco teams up with legendary bassist Mike Watt and drummer Toby Dammit (The Stooges, Nick Cave). The songs were recorded during the group's 2015 USA Whistle Blower Tour, and will be released exlusively for Black Friday RSD on a 7'. Tav Falco's Panther Burns will release a long-awaited full length album in 2017, supported by worldwide touring. Track List 'Sway'/'Where The Rio Del Rosa Flows'. MORE INFO A Lesson In Crime was previously pressed on vinyl, but the Smith EP has NEVER been pressed to vinyl, so this will be the first time that Smith EP is both on vinyl and also the first time that the two EPs exist as a consolidated release - they were previously released as separate, standalone products. Track List Side A: 1. 'Cheer It On' 2. 'Nature of the Experiment' 3. 'Citizens of Tomorrow' 4. 'Shoulders & Arms' 5. 'If It Works' 6. 'La Ferrassie' Side B: 1. 'Cut Cut Paste' 3. 'A Lesson In Crime' 4. 'Be Good (RAC Remix)'. MORE INFO In celebration of Record Store Day Black Friday, Medical Records presents another gem with an expanded reissue of The Last Flowers From The Darkness by Mr. Mark Van Hoen. Continuing our fascination with Mark’s works (see previous reissues of Seefeel Quique and Locust Morning Light on Medical), this 1997 album was originally released on Touch in CD format only. Van Hoen has a rich background under a plethora of monikers as well as a previous Seefeel collaborator. This particular collection is a compilation of tracks recorded during the 1992-1996 era of Mark’s intriguing musical career. Channeling a darker side similarly explored in Locust’s Weathered Well and Natural Composite, TLFFTD is composed of beautiful ambient techno, spacey loops, and well-designed soundscapes that are distinct to his style. The album is featured in its entirety (except for a minor edit of the last 23-minute track) but also features 20 minutes of bonus material that will keep you on the edge of your seat for both 2LPs. Remastered by Mark Van Hoen and presented on limited edition high quality double 160-gram classic vinyl. For fans of the wonderful catalog of Mark Van Hoen, Biosphere, early Autechre and early Aphex Twin. Track List Side A - 1. 'Another Light Casts It's Will', 3. 'The Once Green Hill', 4. 'Suggestions' Side B - 1. 'Night Sky Alternatives', 2. 'German Bight', 4. 'Faeroes' Side C - 1. 'Vessel Of Flight', 2. 'Channel Of Light', 3. 'Dispelling 84-94', 4. 'Automatic (0048 Only)' Side D - 1. 'A Glimmer Of Forgotten Ancestors'. MORE INFO $3k worth of Scepter Soul! A vault’s worth of solid gold treasures on one RTI pressed LP. Track List Side A:1. Jack Montgomery - “Dearly Beloved” 2. Tommy Hunt - “The Work Song” 3. Candy & The Kisses – Tonight’s The Night 4. Barnes - “Just One More Time” 5. Ernestine Eady – “The Change” 6. The Shirelles - “Groovy Guy” 7. The Camp - “Marching” Side B: 1. Irma & The Fascinators - “Lost Love” 2. Candy & The Kisses - “Out In The Streets Again” 3. Jack Montgomery - “Do You Believe It” 4. Ronnie Milsap - “Ain’t No Should Left In These Old Shoes” 5. Johnny Maestro & The Crests - “I’m Stepping Out Of The Picture” 6. Thomas - “I Don’t Have A Mind Of My Own” 7. Jerry Tiffe - “Hey Watcha’ Doin’”. MORE INFO Legendary bassist Mike Watt has had no shortage of projects and releases in recent years, but this EP is likely to be the most exciting for the legions of Minutemen fans around the world. For the first time ever, Watt has recorded three unreleased songs that he wrote for the Minutemen 35 years ago. To do these songs justice, Watt is joined by drummer Bob Lee, alongside members of his current Missingmen and Secondmen projects. The new line-up has been dubbed Mike Watt + The Bobblymen. The three song EP will be released on 7' vinyl, exclusively for Black Friday Record Store Day. Half of the pressing will come on light blue color vinyl, with the other have on standard black vinyl. Track List A1 'Statement' B1 'Slots' B2 'Art Analysis'. MORE INFO First ever vinyl pressing of the 2003 studio album,with a bonus live version of 'Dream Within A Dream', never before released. Contains guest appearances from Jeff Beck, Steve Vai, Slash, Steve Lukather and more. Track List SIDE ONE: 1 'I’m Not Talking' 2.45/2 'Crying Out For Love' 4.37/3 'The Nazz Are Blue' 3.12/4 'For Your Love' 3.21/5 'Please Don’t Tell Me ‘Bout The News' 3.59/6 'Train Kept A Rolling' 3.38/7 'Mr Saboteur' 4.55/8 'Shapes Of Things' 2.38 SIDE TWO: 1 'My Blind Life' 3.33/2 'Over Under Sideways Down' 3.16/3 'Mr You’re A Better Man Than I' 3.24/4 'Mystery Of Being' 4.07/5 'Dream Within A Dream' 4.44/6 'Happenings Ten Years Time Ago' 3.23/7 'An Original Man (A Song For Keith)' 5.20/8 'Dream Within A Dream (Live)' 5.01. MORE INFO Available for Record Store Day Black Friday is the first in a series of three volumes of double LPs that will contain the entire Big Star Complete Third boxed set. 1: Demos To Sessions To Roughs starts at the beginning of the album creation with demos of the songs that were all eventually cut at the sessions. Material from the sessions follows including a take on The Beach Boys’ “Don’t Worry Baby” (previously unissued in this unedited form) and oddly enough a version of “I’m In Love With A Girl” (previously unissued) from the album that was released prior to these sessions, Radio City. All the chaos and, as producer Jim Dickinson put it, “deconstruction,” is present in these early stages of recording. 2 and 3 will follow in short order in early 2017. Track List DISC 1 SIDE A: 'Like St. MORE INFO Billy Idol's greatest hits, live from his 2015 tour. This three LP set includes twelve classics and four tracks from his current album, recorded at various stops along the tour. Numbered limited edtion set for Record Store Day Black Friday. MORE INFO Deluxe version of early recordings and alternate versions of James Vincent McMorrow's third album We Move. This deluxe physical package combines the original We Move on CD with a bonus LP of We Move: Early Recordings and Alternate Versions, limited to 1500 copies. We Move is the third album from James Vincent McMorrow and the follow-up to the critically acclaimed Post Tropical (nominated for the Choice Music Prize, and leading to sold-out worldwide shows). In 2016 McMorrow collaborated with Kygo on the hit “I’m In Love”, and his cover of “Wicked Game” featured in the Season 6 trailer for Game of Thrones is a viral hit. Produced with Nineteen85 (Drake, Dvsn), We Move is James Vincent McMorrow’s most expansive, generous and ambitious record to date. MORE INFO Track List Side A - 1. 'My Little Pony Theme Song' (Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Rarity & Fluttershy), 2. (Twilight Sparkle), 3. 'This Day Aria' (Queen Chrysalis & Princess Cadance), 4. 'What My Cutie Mark is Telling Me' (Applejack, Rainbow Dash, Pinkie Pie, Rarity & Fluttershy), 5. 'A True, True Friend' (Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Rarity & Fluttershy), 6. 'Hearts as Strong as Horses' (Apple Bloom, Scootaloo & Sweetie Belle), 7. 'Bats' (Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Rarity, Fluttershy & Spike), 8. 'Generosity' (Applejack, Rainbow Dash, Pinkie Pie, Rarity & Fluttershy) Side B - 9. 'Glass of Water' (Discord) 10. 'Find the Music in You' (The Pony Tones), 11. 'Music in the Treetops' (Fluttershy), 12. 'Flim Flam Miracle Curative Tonic' (Flim Flam & Silver Shill), 13. 'You’ll Play Your Part' (Twilight Sparkle, Princess Celestia, Princess Lun & Princess Cadance), 14. 'Let the Rainbow Remind You' (Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Rarity, Fluttershy & Spike), 15. 'Celestia’s Ballad' (Princess Celestia), 16. 'On My Own' (Apple Bloom). MORE INFO Performed with passion and skill by Alabama band Iron Horse, FADE TO BLUEGRASS: THE BLUEGRASS TRIBUTE TO METALLICA features high lonesome renditions of Metallica classics like 'The Unforgiven,' 'Enter Sandman' and 'Fade to Black.' This is the first vinyl release of this now-classic 2003 album. The vinyl is 180 gram black and the package includes a digital download card for the whole album. Track List Side A - 1. 'The Unforgiven' – 5:13, 2. 'Nothing Else Matters' – 5:15, 3. 'Enter Sandman' – 4:22, 4. 'Hero of The Day' – 4:52, 5. 'Fade to Black' – 4:28 Side B - 1. 'One' – 4:15, 2. 'Ride The Lightning' – 4:18, 3. 'Wherever I May Roam' – 4:30, 4. 'Fuel' – 5:43, 5. 'The Four Horsemen' – 4:39. MORE INFO First time on vinyl! Features colored vinyl, full color package and fun activities inside. Just can’t get enough sleep? Babies are babies but why should it be that you get no peace. Rockabye Baby answers your prayer for a night of joyous silence. The next time your little one plans on being up all night, try spinning our lullaby renditions of these Depeche Mode favorites. It’s all the baby ever wanted and all they’ve ever needed. Track List Side A - 1. 'Personal Jesus' 3:28, 2. 'Just Can’t Get Enough' 3:35, 3. 'Everything Counts' 3:47, 4. 'Policy of Truth' 3:47, 5. 'Strangelove' 3:39, 6. 'Walking in My Shoes' 3:55 Side B - 1. 'World In My Eyes' 3:42, 2. 'It’s No Good' 4:23, 3. 'Little 15' 3:55, 4. 'Stripped' 3:23, 5. 'People Are People' 3:30, 6. 'Enjoy the Silence' 3:17. MORE INFO Hollywood Potato Chip is full of The Vandals' trademark wry, sardonic wit and air-tight melodies. Mixed by Jerry Finn (Blink 182, Alkaline Trio, Morrissey.) Includes the track 'Don't Stop Me Now' - a raucous cover of the Queen classic. Originally released in 2004, the album has sold over 23K. Available for the first time on vinyl on this limited edition blue LP, which includes download card. Also includes a bonus track that was previously only available on the international version of the CD. Track List 1. 'How They Getcha' 2. 'Don't Stop Me Now' 3. 'My Neck, My Back' 4. 'Be a Good Robot' 5. 'My Special Moment' 7. 'Designed By Satan' 8. 'Atrocity' 9. 'Dig a Hole' 10. 'Don't Make Me Get My Fat, Lazy Ass Off This Couch' 11. 'I Guess I'll Take You Back' 12. 'Christian or Canadian' 13. 'I Am Crushed' 14. 'Steal The Flag (Bonus Track Previously on International Version only)'. MORE INFO Compilation of early era tracks recorded at Smart Studios. Includes earliest Butch Vig productions available. American Noise Vol 1 is a companion to the documentary, The Smart Studios Story and includes songs featured in the film. This limited edition compilation of early era tracks recorded at Smart Studios between 1983 and 1990 includes the earliest Butch Vig productions available for the first time as a collection mastered for vinyl. Track List 1 Appliances - 'Bob Hope', 2 Killdozer - 'Ed Gein', 3 Tar Babies - 'Wasted Words', 4 Die Kreuzen - 'Holes', 5 Cattle Prod - 'Dont Mind Walking', 6 Poopshovel - 'One Pass Away', 7 Rectal Drip - 'Naive Folk Singer', 1 Ivory Library - 'Through You', 2 Fun With Atoms - 'Last Cigarette', 3 Other Kids - 'Madtown', 4 Spooner - 'Borderline', 5 The Weeds - 'Easy On The Eyes', 6 Singing Irishman - 'Thanks A Million'. MORE INFO Hot Tub is a weekly stand-up comedy and variety show in Los Angeles hosted by comedians Kristen Schaal and Kurt Braunohler. This release includes 12 stand-up comedians doing their best few minutes of material. Track List 1. Kurt and Kristen, 2. Eddie Pepitone, 3. Beth Stelling, 4. Kurt Braunohler, 5. Kurt and Kristen again, 6. Heathler Lawless, 7. Kyle Kinane, 8. Kristen Schaal, 9. John Roberts, 10. Aparna Nancherla, 11. Karen Kilgariff, 12. Emily Heller, 13. Andres DuBouchet, 14. Eugene Mirman, 15. MORE INFO For Record Store Day Black Friday, The Wild Feathers release their first official live album. This 2-LP, vinyl set captures the band at their electric best during their triumphant, sold-out homecoming show at the fabled Ryman Auditorium on June 25th, 2016, marking the final date of the tour in support of band’s acclaimed album Lonely Is A Lifetime. Track List Side One: Help Me Out, Overnight, Backwoods Company, If You Don’t Love Me, Don’t Ask Me to Change Side Two: Got It Wrong, Hard Times, Sleepers, Goodbye Song Side Three: Into The Sun, Happy Again, Left My Woman, American, Lonely Is A Lifetime Side Four: How, The Ceiling, Hard Wind. Artist: Ramones Release: More unreleased tracks [Bootleg] Genre: Punk Country: USA Bitrate: 192 --------------------------------------------------------------------- Thanks to the original uploader 1 hour 14 minutes 59 seconds --------------------------------------------------------------------- 1. Happy Birthday Mr. Burns (0:38) 2. 1969 (Classic Stooges From WE WILL FALL) (3:40) 3. I am Seeing UFO´s (Dee Dee Solo Single, Joey on Vocals) (4:05) 4. Boomerang (2:25) 5. Blank Generation (Marky and the Intruders) (2:54) 6. Chop Suey (From Get Crazy Soundtrack) (3:55) 7. The Wonderful Widow of Eighteen Springs (2:23) 8. I Wanna Be Sedated (From IN THEIR OWN WORDS) (4:10) 9. Gilligan (From GETS A RECORD) (3:03) 10. Merry Christmas (Extended Version) (2:37) 11. Nothing Can Change the Shape of Things to Come (Original Version) (3:08) 12. Rare Medley (From Mtv Movie Awards 1996) (3:20) 13. Sonic Reducer (Joey With Pearl Jam) (3:56) 14. I Won´t Let It Happen (Acoustic) (3:54) 15. Bring it on Home to Me (Sam Cooke) (5:46) 16. Glad all Over (Joey Unplugged) (3:04) 17. Sleeping Troubles (2:11) 18. Baby Say You Beg (2:57) 19. 7-11 (Pleasent Dreams Demo) (3:00) 20. I Wasn´t Looking For Love (Pleasant Dreams Demo) (2:35) 21. You´re not fooling me (2:12) 22. Working it Over (3:59) 23. Chasing the Night (Richie on Vocals - Outtakes from Too Tough to Die) (2:34) 24. Human Kind (richie on vocals - Outtakes from Too Tough to Die) (2:33). The following profile is now available to download with PinnacleUpdate. The related PIN file has also been attached if you need to manually import. Battlefield 2 Pre-built Configurations for: Xbox 360 Controller Xbox Controller-S PlayStation/PS2 Controller & other similiar devices Basic Commands Alt-Fire Boat Only > Close/Off Boat Only > Open/On Camera > Camera Cycle Camera > Chase Front Camera > Chase Rear Camera > Cockpit Camera > Fly By Communication > Comm Channel Communication > Main Radio Communication > Push to Talk Communication > Say All Communication > Say Squad Communication > Say Team Communication > Sec. Note: read instructions or this profile will not work (correctly)! Changes: Update 27-11-11: - Adjusted sniper assist Update 20-11-11: - Initial release Game information: Battlefield 2 (commonly abbreviated to BF2) is a computer game by the Swedish developer Digital Illusions CE (DICE). During development, Trauma Studios contributed to the development of the game after it was acquired by DICE. Battlefield 2 was published by Electronic Arts and is the third full game in the Battlefield series, released on June 21, 2005 in North America for Microsoft Windows. The latest version is v1.50, which was released on September 1, 2009 and added the content of the Euro Force and Armored Fury booster packs, as well as the Highway Tampa and Operation Blue Pearl maps. Layout: Instructions: 1. Goto your 'Mydocuments'-folder (Start->'Documents' or 'MyDocuments' ) and look for 'Battlefield 2' 2. Go into the 'Battlefield 2'-folder and also into the 'profiles'-folder, where you will see your profile folders. My gameplay on Rayman 3: Hoodlum Havoc (PC version). ------------------------------------------- This video is the Italian version of Leptys power's cinematic. (Please don't answer in Italian, I cannot speak that language. Rayman 3: Hoodlum Havoc; 2003; Explore in YouTube Gaming. Why isn't Rayman 3 Hoodlum Havoc on Steam? Steam should be the only DRM you need. You make your point. I should gather people's souls and force Ubisoft to create a HD remake for the PC, with no u. We shall go far, we shall stretch our cause to the edge of the world. Books will be written about us, mangas shall. Legends.2012.REPACK-FLT 1000.Board.and.Puzzle.Games.(2008)-TiNYiSO 1000.GAMES.COLLECTION.(2011)-HEiST 1000.Games.Volume.3.(2009)-FASiSO. Cheatbook your source for Cheats, Video game Cheat Codes and Game Hints, Walkthroughs, FAQ, Games Trainer, Games Guides, Secrets, cheatsbook. Assuming you have created a profile in the game, Look for the '0001'-folder (probably). If you have created more profiles, it's probably the last one and/or you should update all folders with the next steps as they could have other names (just don't touch the 'Default'-folder). Go inside the folder and you'll probably find a 'Controls.con'-file (among others). Copy your 'Controls.con' to somewhere safe and delete or rename the one already present. Go into folder 'Copy to MyDocuments-Battlefield 2-Profiles-0001' and copy the 'Controls.con' from the zip file to your '0001'-folder in your Mydocuments: Note: You can check if this went OK by starting the game and going to the game options: Controls->common controls->Pickup kit should be E instead of G. Don't change any keys or the profile might not work! Import the.pin from the zip 7. Enjoy the game Other: I have added two configs: 1: Battlefield 3/BC2 X360 layout without rumble (default) 2: Battlefield 3/BC2 X360 layout with rumble (only when aiming down the sights) Yes I know there are already some good profiles here but I wanted to play this game with the controls of the newer Battlefield games (I hate driving vehicles with forward/back). This wasn't completely possible because they differ at some points but I didn't take the easy route. This also means that you occasionally may experience control glitches (out of sync commands). What to do in that case? - reversed aim down sights: Just quickly switch primary/secondary weapon - Rumble when in vehicle (alt. Config): Just pull the left trigger once or twice when that happens I built/tested this profile from scratch with a patched (1.5) version of Battlefield 2. As always, let me know here if you have questions, comments or find bugs. Hope you like it. This is a Profile for BattleField2 using a Xbox 360 Controller. The Left Bumper Button on the 360 Controller is set for Shifted Mode and allows a additional set of commands when Pressed and held. I have also Included a XPS Document That can be viewed or printed using Internet Explorer 7. This Document Lists Each Button and what it does for quick reference. I also found a great tip in these forums regarding how to make the Airplanes and Helicopters Fly alot easier. Optional Tip: Change the controls in BF2 for the planes and helis so they fly NORMAL with this config! (Using the left stick for Pitch and Roll, the right stick for Throttle and Steering) CLOSE down Pinnacle first (important)! Then run BF2 and erase ALL Pitch,Roll,Throttle, and Steer Left/Right controls! (Click on the command then hit ESC) This includes PRIMARY and SECONDARY Commands! Now click in the empty Accelerate or Decelerate command box and Move the X360 Gamepads right Stick up or Down. (Both inputs for the throttle will automaticly be filled once you do this) Now do the same for the Steering Left or Right using the right stick. Next config the Pitch with your 360 left stick up / down and then your Roll left/right. Do this for both the Plane and Helicopter controls. |
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